George Frideric Handel, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood's 'Messiah / Part 1: "And The Glory Of The Lord"' had a release date set for January 1, 1980. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Messiah / Part 1: "And The Glory Of The Lord"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Judith Nelson, Emma Kirkby, Carolyn Watkinson, Paul Elliott, David Thomas, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music, Christopher Hogwood's "Handel: Messiah" album is number 3 out of 37. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Messiah / Part 1: "And The Glory Of The Lord" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah / Part 1: "And The Glory Of The Lord" by George Frideric Handel, Christ Church Cathedral Choir, Oxford, Simon Preston, Academy of Ancient Music, Christopher Hogwood to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gabriel's Message | Anonymous, Choir of Clare College, Cambridge, Orchestra of Clare College, Cambridge, John Rutter | B♭ Minor | 1 | 3A | 75 BPM | ||
| Giuseppe Torelli: Christmas Concerto in G Minor, Op. 8, No. 6: I. Grave - Vivace | New Trinity Baroque | F♯ Minor | 1 | 11A | 136 BPM | ||
| This Is the Truth Sent from Above | Nikolaus Newerkla, Quadriga Consort | A♭ Minor | 1 | 1A | 70 BPM | ||
| We Wish You a Merry Christmas | Traditional, James Galway, John Poole, Barry Rose, Barry Griffiths | B♭ Major | 3 | 6B | 166 BPM | ||
| Messiah HWV56, PART 1: There were shepherds abiding in the field (soprano recitative) | George Frideric Handel, Choir of King's College, Cambridge, Stephen Cleobury, Ailish Tynan | B Major | 0 | 1B | 85 BPM | ||
| Vivaldi: Dixit Dominus in D Major, RV 594: X. Sicut erat in principio | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | A♭ Major | 3 | 4B | 110 BPM | ||
| Vivaldi: Magnificat in G Minor, RV 610: VI. Esurientes | Antonio Vivaldi, Stephen Cleobury, Academy of Ancient Music, Deborah Norman, Sarah Fox | A Major | 2 | 11B | 100 BPM | ||
| Simphonies des Noëls, S. 130: III. Simphonie | Michel Richard Delalande, Les Violons du Roy, Bernard Labadie | F Minor | 1 | 4A | 82 BPM | ||
| The First Nowell (arr. David Willcocks) | Sir David Willcocks, Traditional, Tewkesbury Abbey Choir, Andrew Sackett | D Major | 1 | 10B | 100 BPM | ||
| Corelli / Arr. Wright: Concerto Grosso in G Minor, Op. 6 No. 8 'Christmas Concerto': II. Allegro | Arcangelo Corelli, Alison Balsom, Pavlo Beznosiuk, Academy of Ancient Music | F♯ Minor | 2 | 11A | 150 BPM | ||
| Es ist ein' Ros' entsprungen - Arr. M. Praetorius; Canon a 4 by Melchior Vulpius (c1570-1615) | Anonymous, The Monteverdi Choir, John Eliot Gardiner | F Major | 0 | 7B | 82 BPM | ||
| Wade: Adeste fideles | John Francis Wade, Edward Higginbottom, Choir of New College, Oxford | G Major | 1 | 9B | 87 BPM | ||
| Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: I. — | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | E Major | 4 | 12B | 172 BPM | ||
| Concerto grosso No. 9 in A Minor (After Scarlatti): I. Largo (Unknown) | Charles Avison, The English Concert, Trevor Pinnock | B Major | 1 | 1B | 143 BPM | ||
| O Thou That Tellest Good Tidings to Zion | The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Tamara Mumford | A Minor | 0 | 8A | 172 BPM | ||
| Concerto grosso in C Major, Op. 3, No. 12 "Per il santissimo natale": III. Allegro | Francesco Onofrio Manfredini, Roland Straumer, Michael Eckoldt, Virtuosi Saxoniae, Ludwig Güttler | C Major | 1 | 8B | 75 BPM | ||
| Messiah / Part 3: "I Know That My Redeemer Liveth" | George Frideric Handel, Judith Nelson, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 3 | 3B | 114 BPM | ||
| Concerto grosso in B flat, Op.6, No.11: 4. Andante Largo | Arcangelo Corelli, The English Concert, Trevor Pinnock | A Major | 1 | 11B | 108 BPM | ||
| Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": V. Allegro | Arcangelo Corelli, Vilmos Tátrai, Margit Bardócz, Janos Sebestyen, Hungarian Chamber Orchestra | F Major | 2 | 7B | 166 BPM | ||
| Ave Maria, D. 839 | Franz Schubert, Elly Ameling, Dalton Baldwin | D Major | 2 | 10B | 102 BPM | ||
| Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | A Minor | 0 | 8A | 172 BPM | ||
| Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio | Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment | D♭ Minor | 1 | 12A | 133 BPM | ||
| Handel: Coronation Anthem No. 2, HWV 259 "Let Thy Hand Be Strengthened": I. Let Thy Hand Be Strengthened | George Frideric Handel, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury, Alastair Ross | F♯ Major | 1 | 2B | 115 BPM | ||
| And The Glory Of The Lord | London Philharmonic Orchestra | E Major | 4 | 12B | 71 BPM | ||
| Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | D Major | 1 | 10B | 95 BPM |