Harikrishna Patel's ' "Holi Ayi Re" was released on its scheduled release date, March 1, 2010. This song appears to be safe for all ages as it is not explicit. The song is number 7 out of 10 in Chale Gaj Baith Ke Maharaja Swaminarayan Kirtan by Manoj, Vimal, Harikrishna Patel. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Holi Ayi Re is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Holi Ayi Re by Harikrishna Patel is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tujhi Aan Vahin Ga | Baba Maharaj Satarkar | E Minor | 8 | 9A | 100 BPM | ||
| Evadha Vel Ka Laavilaa | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| Maanasa Mandira | Sri Ganapathy Sachchidananda Swamiji | F Major | 7 | 7B | 95 BPM | ||
| Mero to Adhar Shri Vallabh Ke Charnavind | Ami Joshi, Asif Jeriya | F♯ Major | 4 | 2B | 105 BPM | ||
| Aja Mare Orade Re | Shree Swaminarayan Temple Bhuj | E♭ Minor | 7 | 2A | 82 BPM | ||
| Lalash Aakha Ghar Ni | Manhar Udhas | B Minor | 6 | 10A | 122 BPM | ||
| Kin shabdon main Aapka | Brahma Kumaris | C Major | 3 | 8B | 96 BPM | ||
| Shirdichya Sai Deva | Sai bhakti | F Minor | 8 | 4A | 172 BPM | ||
| Kemre Bhuliy Swami Upkar Apna | Swaminarayan Aksharpith | C Minor | 4 | 5A | 104 BPM | ||
| God's Awesome Power | Veer Manpreet Singh | A♭ Minor | 1 | 1A | 150 BPM | ||
| Jalaram Bavani | Kardam Sharma Joshi, Kavita Raam | F♯ Major | 7 | 2B | 128 BPM | ||
| Aaj Mara Mandiriyama Male Shrinathji | Nidhi Dholakiya | F♯ Minor | 5 | 11A | 140 BPM | ||
| Pratham Shree Hari Ne - Fast | Harikrishna Patel | F Major | 7 | 7B | 130 BPM | ||
| He Ma Sharda | Satish Dehra, Foram Maheta | E♭ Major | 5 | 5B | 185 BPM | ||
| Rangilo Hari Dharmadularo | Arth Kumar, Niladri Chetterji | A♭ Minor | 6 | 1A | 174 BPM | ||
| Dash Divash Ni Maya Lagadi | Gagan Jethva | F Minor | 2 | 4A | 126 BPM | ||
| O Vishwapati Tara Vishvase -Trupti Dave | Studio Avsar | B♭ Minor | 6 | 3A | 148 BPM | ||
| Jabanwa Rama Ulta Ho Gail | Karina Pandey | B♭ Minor | 7 | 3A | 79 BPM | ||
| Ham Jo Sahara Dhoondte The | Brahma Kumaris | D♭ Major | 5 | 3B | 148 BPM | ||
| Mangav Talukyat | Sanchita Morajkar | G Minor | 6 | 6A | 82 BPM | ||
| Swarg Evam Moksha Praapti Mantra | Jitender Singh | E♭ Major | 6 | 5B | 91 BPM | ||
| Swamiraj Maauli Ge Maay | Ajit Kadkade | E♭ Major | 5 | 5B | 110 BPM | ||
| Maje Kuldevata Tu Khandu Deva | Shankar Patil | F♯ Major | 6 | 2B | 75 BPM | ||
| Jaya Jaya Jagannath | Sachi kumar Das | D♭ Major | 6 | 3B | 90 BPM | ||
| Bolya Shri Hari Re | BAPS Swaminarayan Sanstha | F Minor | 4 | 4A | 116 BPM |