Betty Grable's ' "Waiting at the Church" was released on its scheduled release date, January 20, 2017. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Waiting at the Church's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 50 in the song's album "The Pin-Up Girl". In this album, this song's track order is #31. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Waiting at the Church is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Waiting at the Church by Betty Grable having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Changing My Tune (Reprise) (From 'The Shocking Miss Pilgrim') | Alfred Newman, Betty Grable | G Major | 4 | 9B | 170 BPM | ||
| All the Cats Join In | Frankie Carle and His Orchestra | A Minor | 4 | 8A | 94 BPM | ||
| You Ought to Be in Pictures | Ambrose & His Orchestra | G Major | 2 | 9B | 68 BPM | ||
| Looking at You | Lee Wiley | G Major | 2 | 9B | 68 BPM | ||
| How Could You Believe Me When I Told You That I Loved You | Danny Kaye, Carole Richards | A♭ Major | 2 | 4B | 140 BPM | ||
| Me and the Man in the Moon | Frank Salvano & Ambassadors | E♭ Major | 2 | 5B | 128 BPM | ||
| Candy | Dinah Shore | E♭ Major | 1 | 5B | 91 BPM | ||
| Indian Love Call (from "Rose Marie") - 2006 Remaster | Jeanette MacDonald, Nelson Eddy | F Major | 2 | 7B | 173 BPM | ||
| I'm Just a Vagabond Lover | Rudy Vallee and His Connecticut Yankees | G Major | 2 | 9B | 68 BPM | ||
| Serenade In Blue | Paul Whiteman & His Orchestra, Martha Tilton | E Minor | 2 | 9A | 81 BPM | ||
| I've Been Drafted (Now I'm Drafting You) | Chuck Foster | F Minor | 4 | 4A | 95 BPM | ||
| The Dickey-Bird Song | Freddy Martin | C Major | 1 | 8B | 111 BPM | ||
| Candy Kisses | Danny Kaye, The Regalaires | C Major | 1 | 8B | 125 BPM | ||
| Happy Ending | Gracie Fields | E♭ Major | 1 | 5B | 165 BPM | ||
| Baby Baby Baby | Tommy Edwards | C Major | 1 | 8B | 89 BPM | ||
| The Last Time I Saw Paris | Anne Shelton | G Major | 2 | 9B | 68 BPM | ||
| Suddenly It's Spring - Remastered 2001 | Glenn Miller & The Army Air Force Band | G Minor | 2 | 6A | 81 BPM | ||
| Here's Love in Your Eyes | Lee Wiley | G Major | 2 | 9B | 68 BPM | ||
| The Wild, Wild West | Virginia O'Brien | B♭ Major | 2 | 6B | 105 BPM | ||
| Linger a Little Longer in the Twilight | Ruth Etting | C Major | 1 | 8B | 120 BPM | ||
| Betting on a Man - From "Meet Me After the Show" | Betty Grable | F Major | 3 | 7B | 96 BPM | ||
| The Sheik of Araby | Betty Grable, Alice Faye | F Minor | 5 | 4A | 95 BPM | ||
| You're MY Little Pin-Up Girl | Betty Grable | F♯ Major | 4 | 2B | 89 BPM | ||
| How Important Can It Be - Remastered | Joni James | D♭ Major | 3 | 3B | 87 BPM | ||
| Party Time | Jack Shaindlin | C Minor | 5 | 5A | 151 BPM |