Alessandro Scarlatti, José Coca Loza, La Ritirata, Josetxu Obregon's ' "Il giardino di rose, R.503.19: Prima Parte: Se nell'acque del pianto (Recitativo)" was released on its scheduled release date, February 14, 2025. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 55 in the song's album "Scarlatti: Il giardino di rose". In this album, this song's track order is #17. Furthermore, we believe that the track originated from Germany. Il giardino di rose, R.503.19: Prima Parte: Se nell'acque del pianto (Recitativo) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Il giardino di rose, R.503.19: Prima Parte: Se nell'acque del pianto (Recitativo) by Alessandro Scarlatti, José Coca Loza, La Ritirata, Josetxu Obregon having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Canente: Sombre déesse du silence | Antoine Dauvergne, Véronique Gens, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B Major | 2 | 1B | 96 BPM | ||
| Sonata in C Minor, DürG 14: I. Largo | Johann Gottlieb Goldberg, Accademia dell'Annunciata, Riccardo Doni | B Minor | 1 | 10A | 64 BPM | ||
| Stabat Mater: XII. Fac ut animae donatur | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
| Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
| Le Berger fidèle, RCT 24: Air plaintif: Faut-il qu’Amarillis périsse? | Jean-Philippe Rameau, Hannah De Priest, Les Délices, Debra Nagy | B Major | 2 | 1B | 96 BPM | ||
| Torelli : Concerto for Strings in G major Op.6 No.1 : III Adagio | Giuseppe Torelli, Ivor Bolton, St. James Baroque Players | F♯ Major | 0 | 2B | 79 BPM | ||
| Laudate pueri in G Major, RV 601 "Salmo 112": I. Laudate, pueri (Allegro non molto) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | D♭ Major | 2 | 3B | 92 BPM | ||
| Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: II. Lento [Ciacona] | Dietrich Becker, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | D♭ Major | 2 | 3B | 86 BPM | ||
| Omphale, Acte I: Air. Calme heureux, agréable paix... | Jean-Baptiste Cardonne, Gyorgy Vashegyi, Orfeo Orchestra, Reinoud Van Mechelen | B Major | 2 | 1B | 96 BPM | ||
| Al fragor di lieta tromba, Sinfonia: III. Allegro | Alessandro Scarlatti, Alessandro Stradella Consort, Estevan Velardi | G Minor | 0 | 6A | 117 BPM | ||
| Aire (For the Play "The Mad Lover) [3] | John Eccles, Capella Orlandi Bremen, Thomas Ihlenfeldt | F♯ Minor | 0 | 11A | 97 BPM | ||
| Gluck: Orfeo ed Euridice, Wq. 30, Act 1: Ballo. Tempo di minuè | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D Major | 1 | 10B | 93 BPM | ||
| Concerto for 2 Oboes da caccia, 2 Violas, 2 Bassoons and Continuo in G Major, FaWV L:G11: II. Air | Johann Friedrich Fasch, Il Gardellino | D♭ Major | 0 | 3B | 79 BPM | ||
| Su le sponde del Tebro - Cantata a voce sola con Violini e Tromba: 1. Sinfonia. Grave | Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson, Orchestra of St. Luke's, John Feeney | D Major | 0 | 10B | 128 BPM | ||
| Missa Divi Xaverii, ZWV 12: Benedictus | Jan Dismas Zelenka, Lucille Richardot, Collegium 1704, Vaclav Luks | E Major | 0 | 12B | 80 BPM | ||
| Maddalena ai piedi di Cristo: No. 10 Aria Maddalena "In un bivio è il mio volere" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | A♭ Major | 1 | 4B | 68 BPM | ||
| La Giuditta: Pt. I: Sinfonia (Version for 3 voices) | Alessandro Scarlatti, Sophie Landy, Raphaël Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina | B Major | 1 | 1B | 72 BPM | ||
| Stabat mater: II. Cujus animam gementem | Alessandro Scarlatti, Emmanuelle De Negri, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| La Susanna: Voi donzelle | Alessandro Stradella, Filippo Mineccia, Nereydas, Javier Ulises Illán | D Major | 1 | 10B | 111 BPM | ||
| Flute Concerto in D Minor, RV 431a "Il gran mogol": II. Larghetto | Antonio Vivaldi, Höör Barock, Emelie Roos | F♯ Minor | 0 | 11A | 77 BPM | ||
| Concerto for Flute and Oboe in B Minor, FaWV L:H1: II. Largo | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | F Minor | 0 | 4A | 81 BPM | ||
| Rameau: Dardanus, Act 4: Sommeil. Rondeau tendre | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 0 | 11A | 78 BPM | ||
| Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: I. Largo | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 1 | 1A | 88 BPM | ||
| Welcome Every Guest: I. Symphony | John Blow, Vincent Dumestre, Le Poème Harmonique | D♭ Major | 2 | 3B | 85 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in G Minor, No. 6: III. Grave | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM |