"Plymouth Suite: Chanty" by Percy Whitlock, Donald Hunt had its release date on August 20, 1993. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Plymouth Suite: Chanty's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 18 in English Organ Music, Vol. 2 by Donald Hunt. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Plymouth Suite: Chanty is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Plymouth Suite: Chanty by Percy Whitlock, Donald Hunt is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F♯ Minor | 0 | 11A | 70 BPM | ||
| Psalm 112 | Peter Stevens, Simon Johnson, Westminster Cathedral Choir | A Minor | 2 | 8A | 79 BPM | ||
| Notre Pere, Op. 14 | Maurice Duruflé, Michel Piquemal Vocal Ensemble, Michel Piquemal | E Major | 0 | 12B | 109 BPM | ||
| Fanfare on "Ellacombe" | Paul Fey | B♭ Major | 2 | 6B | 68 BPM | ||
| God Grant with Grace | Thomas Tallis, VOCES8 | B♭ Minor | 0 | 3A | 79 BPM | ||
| Before Action | Hilgrove Kenrick, Ǣfendrēama, Chloe May Evans | F Minor | 2 | 4A | 67 BPM | ||
| No. 3, Toccata | Théodore Dubois, Gerard Brooks | G Major | 2 | 9B | 103 BPM | ||
| Scherzetto (from Sonata in C Minor) | Percy Whitlock, David Halls | B♭ Minor | 0 | 3A | 89 BPM | ||
| Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | ||
| The Mass: Credo - Remix | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
| Melodiebewerking over Een Thema Van Mozart | Pieter Heykoop | C Major | 1 | 8B | 61 BPM | ||
| Psalm 21 "The King Shall Rejoice in Thy Strength" | George Cooper, York Minster Choir, John Scott Whiteley, Philip Moore | A Major | 2 | 11B | 114 BPM | ||
| Gandrille: Magnificat, Op. 50: I. Magnificat | Jean-Charles Gandrille, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | C Minor | 3 | 5A | 84 BPM | ||
| Christ Jesus Lay in Death’s Strong Bands | Higher Things | D Minor | 2 | 7A | 113 BPM | ||
| Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
| 5 Short Pieces (Excerpts): No. 4, Scherzo | Percy Whitlock, James Lancelot | F♯ Major | 0 | 2B | 77 BPM | ||
| Holst: 6 Choruses, Op. 53: No. 6, Before Sleep | Gustav Holst, Baccholian Singers of London, English Chamber Orchestra | C Major | 1 | 8B | 111 BPM | ||
| Do Not Be Afraid | Philip Stopford, Truro Cathedral Choir, Christopher Gray | D Major | 0 | 10B | 78 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| Adagio for Organ | Percy Whitlock, Graham Barber | D Minor | 0 | 7A | 67 BPM | ||
| Organ Sonata No.1 in F-Sharp Minor, iii. Andante | Reductio | C Major | 2 | 8B | 134 BPM | ||
| Fanfare (from ‘Four Extemporizations’) | Percy Whitlock, James Vivian | C Major | 1 | 8B | 77 BPM | ||
| Requiem: III. And God shall wipe away all tears | Eleanor Daley, The Choir of Royal Holloway, Rupert Gough, Lucy Mitten | D Major | 0 | 10B | 83 BPM | ||
| St. John Passion, Part I: Sing, My Tongue, the Glorious Battle | Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Chaconne Brass, Wells Cathedral Choir, Matthew Owens | C Minor | 4 | 5A | 163 BPM | ||
| Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM |