Bobby Dyson, Jim Reeves's ' "Thanks for Calling (New Overdub)" was released on its scheduled release date, July 21, 2019. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Thanks for Calling (New Overdub)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jim Reeves's "Jim Reeves Rare & Unreleased" album is number 26 out of 31. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Thanks for Calling (New Overdub) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Thanks for Calling (New Overdub) by Bobby Dyson, Jim Reeves to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Always | Niamh Lynn | C Minor | 2 | 5A | 82 BPM | ||
| Then Jesus Came to Me | Carroll Roberson | E Major | 2 | 12B | 72 BPM | ||
| Crossroad | Michel Sings | B Major | 6 | 1B | 176 BPM | ||
| Time Was Killing Me | Ronnie Rogers | A Major | 4 | 11B | 105 BPM | ||
| I've Done at Least One Thing (That Was Good in My Life) [2023 Mix] | Tompall & The Glaser Brothers | F Major | 4 | 7B | 68 BPM | ||
| If I Cried Every Time You Hurt Me | Terry White | F Major | 3 | 7B | 103 BPM | ||
| Tennessee State Welfare | Karen O'Donnal | A Major | 5 | 11B | 145 BPM | ||
| Dark Moon | Patsy Riggir | E Major | 3 | 12B | 103 BPM | ||
| Lonely Corner | David Price | E Major | 4 | 12B | 78 BPM | ||
| Through All the Years | Jude Dawson | E Major | 4 | 12B | 202 BPM | ||
| I'm Just Here to Get My Baby Out of Jail | Claude King | D Major | 3 | 10B | 84 BPM | ||
| You Belong to My Heart | Ned Miller | E♭ Major | 6 | 5B | 107 BPM | ||
| Edelweiss - From "The Sound Of Music" | The Bachelors | F Major | 6 | 7B | 124 BPM | ||
| If I Could Be With You | The Fontane Sisters | G Major | 3 | 9B | 100 BPM | ||
| I'm Not at All Sorry for You (2025 Mix) | Tompall & The Glaser Brothers | D Major | 3 | 10B | 82 BPM | ||
| My Favourite Memory | Shaun Loughrey | B Major | 6 | 1B | 95 BPM | ||
| Wonderful Woman | Rex Roberts | F♯ Major | 6 | 2B | 106 BPM | ||
| I Love You, I Love You | David Houston, Barbara Mandrell | E♭ Major | 4 | 5B | 100 BPM | ||
| I Love You Drops | Bill Anderson | E♭ Major | 2 | 5B | 92 BPM | ||
| You're Breaking My Heart | Claude King | C Major | 2 | 8B | 106 BPM | ||
| Sweet Lovin' | Claude King | G Major | 5 | 9B | 185 BPM | ||
| If I Can't Have You | Jeannie Seely | A Major | 2 | 11B | 103 BPM | ||
| The Great Speckled Bird / It Wasn't God Who Made Honky Tonk Angels | Jeannie Seely, Jack Greene | F Major | 5 | 7B | 64 BPM | ||
| I Need Somebody Bad | Jack Greene | G Major | 3 | 9B | 107 BPM | ||
| It's The Same Old Story | Johnny Ashcroft | C Major | 2 | 8B | 83 BPM |