Kumar Arjun's ' "Hare Rama Hare Rama Old Is Gold Kirtan Bhajan" was released on its scheduled release date, December 20, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Kumar Arjun's "Harikertan Hare Krishna" album is number 5 out of 7. Hare Rama Hare Rama Old Is Gold Kirtan Bhajan is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Hare Rama Hare Rama Old Is Gold Kirtan Bhajan by Kumar Arjun to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| गरीब नवाज़ क़व्वाली || Pade Jina Tere Bin Jo Khwaja | Sadakat Sabri, Deewana Enterprises | D♭ Minor | 7 | 12A | 78 BPM | ||
| Hare Kisna Kumar Arjun | Kumar Arjun | A♭ Minor | 8 | 1A | 86 BPM | ||
| Khamma Dhaniya Padharo Mhare | Gopal Bajaj | F Minor | 9 | 4A | 128 BPM | ||
| Bade Hi Dayalu Hai Banke Bihari - Hindi | Manoj Chaudhary | E Minor | 6 | 9A | 78 BPM | ||
| Kaye Baithe Mann Maare | Deshraj Pateriya, Savita Parwati, Ramkripal Ray | E♭ Major | 7 | 5B | 148 BPM | ||
| Dwarka No Raja | દ્વારકાનો રાજા | MAYUR DAVE | Studio Krishna Bhanvad | F Major | 5 | 7B | 110 BPM | ||
| Jakhanhi Shaiya Deh Chuto Ge Sona | Dilip Darbhangiya | B♭ Minor | 10 | 3A | 150 BPM | ||
| Ishq Deewana | Devinder Kohinoor | D Major | 7 | 10B | 111 BPM | ||
| Jehne Karam Likhlau | Arvind Singh | A♭ Major | 8 | 4B | 159 BPM | ||
| Banna Dekhe Pelau Pel Bail Pe Jhumat Aave Bundeli Geet | Chandra Bhushan Pathak | F Minor | 1 | 4A | 115 BPM | ||
| Seth Sanvariya Thaki Naukari Maro Maan Badave Ji | Bablu Rajasthani | D♭ Major | 9 | 3B | 136 BPM | ||
| Nikal Na Jaye Samay Jo Suno Bundeli Chetavni Geet | Chandra Bhushan Pathak | D♭ Major | 9 | 3B | 147 BPM | ||
| Hare Rama Hare Hare | Kumar Arjun | C Major | 6 | 8B | 87 BPM | ||
| Chokari Pate Gai Mari Style Ma | Jashvant Rathva, Tulsi Tarabada, Satish Tarabada | F♯ Major | 7 | 2B | 57 BPM | ||
| Mahadev Ke Nachari | Kunj Bihari Mishr | F♯ Major | 9 | 2B | 136 BPM | ||
| Bhaga Ye Driwar Bhauji | Guddu Rangila | C Minor | 8 | 5A | 85 BPM | ||
| Hothal Padmani | Kalubhai Raval | A♭ Major | 8 | 4B | 135 BPM | ||
| Hamato Hila Hila Ke Hari | Jaysingh raja, jyoti Kushvah | F♯ Major | 8 | 2B | 132 BPM | ||
| Ge Bahina Kona Ka Parichav | Dilip Dharbhangiya | F♯ Major | 9 | 2B | 115 BPM | ||
| Jab Teri Doli Nikali Jayegi | Pandit Gaurangi Gauri Ji | F Minor | 7 | 4A | 137 BPM | ||
| Lagathas Amla Tel | Sanjeevan Tandia, Imla Tandia | D♭ Minor | 8 | 12A | 156 BPM | ||
| Dhwja Lehrave | Shyam Paliwal | C Major | 6 | 8B | 106 BPM | ||
| Balaji Tera Roop Nirala Hai | Narender Kaushik | G Major | 10 | 9B | 150 BPM | ||
| Raja Janak Ji Ke Baag Mein | Santosh Kumar | F♯ Major | 5 | 2B | 141 BPM | ||
| Desh Bhakti | Mishra Bandhu | C Major | 9 | 8B | 81 BPM |