On 2009, the song "When I Safely Reach That Other Shore" was released by Reno & Smiley. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. When I Safely Reach That Other Shore's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 28 in Early Years 1951-1959 - Volume 1 by Reno & Smiley. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of When I Safely Reach That Other Shore is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of When I Safely Reach That Other Shore by Reno & Smiley is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Will the Circle Be Unbroken | Joe Maphis, Rose Lee Maphis | C Major | 4 | 8B | 164 BPM | ||
| Down Where The River Bends | J.D. Crowe | B Major | 4 | 1B | 96 BPM | ||
| Salty Dog Blues | Jim and Jesse and the Virginia Boys | E Major | 5 | 12B | 123 BPM | ||
| The One I Left Behind | Blue Highway | A Major | 4 | 11B | 97 BPM | ||
| Childish Love | Hazel Dickens, Alice Gerrard | G Major | 6 | 9B | 114 BPM | ||
| Sweet Money | The Riverside Soul | D Major | 5 | 10B | 115 BPM | ||
| Come Springtime | Marshall Family | F Major | 2 | 7B | 101 BPM | ||
| I Know What It Means To Be Lonesome | The Rice Menzone Alliance | F Major | 7 | 7B | 134 BPM | ||
| My Lord Will Send A Moses | Easter Brothers | A Major | 6 | 11B | 96 BPM | ||
| Swanee River | Don Reno, Eddie Adcock | B Major | 8 | 1B | 153 BPM | ||
| Ole Carolina | The Kody Norris Show | B Major | 7 | 1B | 117 BPM | ||
| That's How I Can Count On You | Red Allen | B Major | 4 | 1B | 137 BPM | ||
| Menzone Drive | Dan Menzone | D Major | 7 | 10B | 142 BPM | ||
| Get In Line Buddy | Junior Sisk | A Major | 6 | 11B | 109 BPM | ||
| Gospel Plow | The Nashville Bluegrass Band | C Major | 3 | 8B | 159 BPM | ||
| Things In Life | Don Stover | B Major | 6 | 1B | 138 BPM | ||
| I Don't Want Your Rambling Letters | The Stanley Brothers | G Major | 7 | 9B | 127 BPM | ||
| Standing In The Need Of Prayer | The Johnson Mountain Boys | F♯ Major | 4 | 2B | 114 BPM | ||
| Foggy Mountain Top (with Mother Maybelle Carter) | Lester Flatt, Earl Scruggs, Mother Maybelle Carter | G Major | 4 | 9B | 112 BPM | ||
| Take Me To The Mountains | Del McCoury | G Major | 3 | 9B | 107 BPM | ||
| I've Never Been So Lonesome | Longview | B Major | 7 | 1B | 134 BPM | ||
| Voice from on High | Bill Monroe | E♭ Major | 3 | 5B | 175 BPM | ||
| The Boys Are Back In Town | The Nashville Bluegrass Band | A Major | 2 | 11B | 115 BPM | ||
| Honey, You Don't Know My Mind | Jimmy Martin | A Major | 5 | 11B | 100 BPM | ||
| Teardrops In My Eyes | The Rice Brothers | A Major | 6 | 11B | 129 BPM |