The New York Renaissance Band's 'The Canary' had a release date set for August 13, 2008. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. The Canary's duration is considered a little bit shorter than the average duration of a typical track. The song is number 38 out of 40 in Arbeau: Orchesographie by The New York Renaissance Band. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Canary is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of The Canary by The New York Renaissance Band is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Town Atmosphere 18 | Adam Sporka, Jan Valta | A Major | 2 | 11B | 73 BPM | ||
| O Primavera, gioventu dell'anno | Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg | E Major | 1 | 12B | 141 BPM | ||
| Seigneur sachiez qui or ne sen ira | Murmur Mori, Thibaut de Champagne | G Minor | 4 | 6A | 112 BPM | ||
| Canzona trigesima quinta "detta l’Alessandrina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 64 BPM | ||
| Frogg Galliard | John Dowland, Andrew Lawrence-King | B Major | 0 | 1B | 105 BPM | ||
| Irish Dance | Andrei Krylov | E♭ Minor | 2 | 2A | 144 BPM | ||
| Tout par compas suy composés | Baude Cordier, Ferrara Ensemble, Crawford Young | E Minor | 0 | 9A | 90 BPM | ||
| Morrisques | The New York Renaissance Band | G Major | 1 | 9B | 114 BPM | ||
| Tarantella | David Douglass, The King's Noyse | E Major | 2 | 12B | 139 BPM | ||
| Nuls om en ren: melody only | Aimeric de Belenoi, Martin Best Mediaeval Ensemble | A Minor | 0 | 8A | 112 BPM | ||
| Fantasia - Instrumental | Alonso Mudarra, Lutz Kirchhof | F Major | 2 | 7B | 119 BPM | ||
| Première Suytte de Branles d'Escosse | Pierre Attaingnant, The King's Noyse, David Douglass | E♭ Major | 1 | 5B | 98 BPM | ||
| Sancta Trinitas | Antoine de Févin, Paolo Cherici | G Major | 1 | 9B | 134 BPM | ||
| Fantaisie | Lorenzini, Le Poème Harmonique, Vincent Dumestre | A Minor | 0 | 8A | 84 BPM | ||
| Branle gay | Pierre Attaingnant, Ronn McFarlane | D Major | 2 | 10B | 133 BPM | ||
| De Navarez : Mille regretz | Heringman | G Minor | 0 | 6A | 161 BPM | ||
| La Gamba in Basso e Soprano | Vincenzo Ruffo, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
| Mrs. McDermott Roe | Turlough O'Carolan, Michal Hromek Consort | G Minor | 2 | 6A | 143 BPM | ||
| Pavane Belle Qui Tiens Ma Vie | Musica calamus | F Major | 5 | 7B | 130 BPM | ||
| Bassadanza cupido | Guglielmo Ebreo da Pesaro, La Rossignol | G Minor | 0 | 6A | 91 BPM | ||
| Kalenda Maia | Raimbaut de Vaqueiras, Trouvere Medieval Minstrels | G Major | 3 | 9B | 110 BPM | ||
| Petit Riense | Ferrara Ensemble, Crawford Young | C Major | 1 | 8B | 114 BPM | ||
| Galliard | The New York Renaissance Band | F Major | 0 | 7B | 99 BPM | ||
| Melancholy Galliard | Hopkinson Smith, John Dowland | A♭ Major | 1 | 4B | 80 BPM | ||
| Symphonia armonie celestium revelationum (Excerpts): No. 15, O frondens virga (Instrumental Version) | Hildegard von Bingen, Augsburg Early Music Ensemble | D Major | 0 | 10B | 77 BPM |