"Movements for Piano and Orchestra: V. Eighth Note = 104" by Igor Stravinsky, Charles Rosen, Columbia Symphony Orchestra had its release date on 1948. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Movements for Piano and Orchestra: V. Eighth Note = 104's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 148 in the song's album "The Original Jacket Collection: Stravinsky Conducts Stravinsky - The Classic LP Recordings". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, Movements for Piano and Orchestra: V. Eighth Note = 104 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Movements for Piano and Orchestra: V. Eighth Note = 104 by Igor Stravinsky, Charles Rosen, Columbia Symphony Orchestra having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Rite of Spring, Part 2: V. Ritual Dance of the Ancestors | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | C Minor | 0 | 5A | 116 BPM | ||
| Viola Concerto: IIb. Trio | Magnus Lindberg, Lawrence Power, Finnish Radio Symphony Orchestra, Nicholas Collon | F Minor | 1 | 4A | 174 BPM | ||
| String Quartet No.8 In C Minor, Op.110: 1. Largo - Live | Dmitri Shostakovich, Emerson String Quartet | C Major | 0 | 8B | 60 BPM | ||
| Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Sehr langsam und gedehnt ("der grosse Appell") | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Minor | 0 | 12A | 67 BPM | ||
| Langsamer Satz (Arr. G. Schwarz for string orchestra) | Anton Webern, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 3 | 7B | 143 BPM | ||
| The Rite of Spring, K15, Pt. 1: IV. Spring Rounds | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 0 | 3A | 61 BPM | ||
| Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
| Mathis der Maler Symphony: II. Grablegung | Paul Hindemith, Berliner Philharmoniker, Claudio Abbado | A♭ Minor | 0 | 1A | 87 BPM | ||
| Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": IV. Feierlich | Robert Schumann, Leonard Bernstein, New York Philharmonic | E♭ Minor | 2 | 2A | 113 BPM | ||
| The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
| Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A♭ Major | 0 | 4B | 132 BPM | ||
| Symphony No. 8 in B Minor, D. 759 "Unfinished": 1. Allegro moderato | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 107 BPM | ||
| Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM | ||
| Daphnis et Chloé, M. 57, Pt. 1: Id-e. Danse des jeunes filles – II. Danse générale | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | E♭ Minor | 1 | 2A | 116 BPM | ||
| L'Oiseau de feu, K010: X. Khorovod (Ronde) des princesses | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 142 BPM | ||
| Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
| Piano Concerto in G Major, M. 83: 1. Allegramente | Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 141 BPM | ||
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
| Spartacus: Scene of the Gaditanae Maidens | Aram Khachaturian, Wiener Philharmoniker | C Major | 5 | 8B | 74 BPM | ||
| Sinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | E♭ Minor | 3 | 2A | 60 BPM | ||
| The Crown of India, Op. 66: March of the Mogul Emperors | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 4 | 10A | 90 BPM | ||
| D'un soir triste | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 139 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: I. Grave (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Minor | 1 | 7A | 174 BPM | ||
| 3 Pieces in Old Style: No. 2, Menuetto I | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | E Minor | 1 | 9A | 76 BPM |