- BPM
- 70
- Key
- F♯ Major
- Camelot
- 2B
Prelude No. 9 (Corrected versions) by Ruth Crawford Seeger, Jenny Lin Song Details
"Prelude No. 9 (Corrected versions)" by Ruth Crawford Seeger, Jenny Lin had its release date on December 1, 2001. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 23 out of 33 in Crawford (Seeger): Piano Works by Ruth Crawford Seeger, Jenny Lin, Timothy Jones. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Prelude No. 9 (Corrected versions) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
The tempo marking of Prelude No. 9 (Corrected versions) by Ruth Crawford Seeger, Jenny Lin is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
Music Key
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -22.473 dB
- Acousticness
- 98%
- Danceability
- 53%
- Energy
- 1%
- Instrumentalness
- 97%
- Liveness
- 12%
- Loudness
- 63%
- Speechiness
- 7%
- Valence
- 7%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | |
 | 7 Haikus: II. Assai mosso | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | D♭ Major | 0 | 3B | 75 BPM | |
 | Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM | |
 | Concerto for Violin and Cello, Op. 102 in A Minor: II. Andante | Johannes Brahms, Leoš Čepický, Michal Kaňka, Stanislav Vavřínek, Komorní filharmonie Pardubice | D Major | 1 | 10B | 96 BPM | |
 | 11 Gates: No. 1, Drifting into D Major | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | G Major | 1 | 9B | 65 BPM | |
 | Mirror - En Vivo | Jimmy Herrera | F Major | 1 | 7B | 107 BPM | |
 | String Quartet No. 14 in F-Sharp Major, Op. 142: I. Allegretto | Dmitri Shostakovich, Cuarteto Casals | E Minor | 0 | 9A | 72 BPM | |
 | The Exterminating Angel Symphony: I. Entrances | Thomas Adès, Minnesota Orchestra, Thomas Søndergård | C Major | 2 | 8B | 88 BPM | |
 | Messiaen: Le Merle noir | Olivier Messiaen, Emmanuel Pahud, Eric Le Sage | D♭ Major | 0 | 3B | 93 BPM | |
 | Symphony No. 1 in E Major, Op. 26: II. Allegro dramatico | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | |
 | Clarinet Sonata in G Major, Op. 5: III. Allegretto grazioso – Vivace | Gustav Uwe Jenner, Jean Johnson, Steven Osborne | E Minor | 0 | 9A | 72 BPM | |
 | National Day of Mourning | David Jacques | E Major | 1 | 12B | 70 BPM | |
 | 6 Metamorphoses after Ovid, Op. 49: No. 6, Arethusa | Benjamin Britten, Allan Vogel | D Major | 0 | 10B | 130 BPM | |
 | 5 Bagatelles, Op. 23: No. 2, Romance | Gerald Finzi, Anastasia Schmidlin, Denis Zhdanov | E Minor | 0 | 9A | 72 BPM | |
 | Sinfonietta, Op. 79: I. Intrada. Festivo, tempo di marcia | Boris Papandopulo, I Solisti di Zagreb, Sreten Krstic | A♭ Major | 2 | 4B | 114 BPM | |
 | Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | E Minor | 0 | 9A | 72 BPM | |
 | Música callada I: No. 2, Lent | Federico Mompou, Stephen Hough | E Minor | 0 | 9A | 86 BPM | |
 | Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F♯ Minor | 0 | 11A | 97 BPM | |
 | Grand Duo Concertant for Bassoon and Piano in B-flat Major, Op. 34: II. Andante doloroso - Un poco più mosso | Ignaz Moscheles, Lilit Grigoryan, David Petersen | E Minor | 0 | 9A | 72 BPM | |
| 7 Haikus: I. Molto adagio | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | D♭ Major | 0 | 3B | 75 BPM | |
 | Divertimento for Strings, Sz. 113: III. Allegro assai | Béla Bartók, Orpheus Chamber Orchestra | B♭ Major | 1 | 6B | 105 BPM | |
 | Diaphonic Suite No. 4: II. Andante cantando | Ruth Crawford Seeger, Christian Hommel, Helmut Menzler | C Major | 3 | 8B | 79 BPM | |
 | Diaphonic Suite No. 2 for Bassoon and Cello: II. Andante cantando | Ruth Crawford Seeger, Susan Heineman, Maria Kitsopoulos | D Major | 0 | 10B | 174 BPM | |
 | Játékok / 1.: 25a. Örökmozgó (talált tárgy) | György Kurtág | C Major | 0 | 8B | 72 BPM | |
 | Suite de danzas criollas, Op. 15: I. Adagietto pianissimo | Alberto Ginastera, Simon Cohen, Jerusalem Symphony Orchestra, Gisele Ben-Dor | G Major | 0 | 9B | 144 BPM |
- ISRC
- SEAEN0110230
- Label
- L-M Records/RCA Records