Narayan Gopal's ' "Piunda Piundai" was released on its scheduled release date, March 30, 2023. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Piunda Piundai's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Narayan Gopal's "Laligurans Bhayechhu" album is number 4 out of 7. On top of that, Norway appears to be the country where this track was created. Based on our statistics, Piunda Piundai's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Piunda Piundai by Narayan Gopal to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pirati Basyo | Sadhana Sargam | G Major | 5 | 9B | 98 BPM | ||
| Mero Katha Khali | Shanti Thatal, Narayan Gopal | D Major | 3 | 10B | 67 BPM | ||
| Piunda Piundai | Narayan Gopal | B♭ Major | 6 | 6B | 78 BPM | ||
| Deshle Ragat Mage | Gopal Yonjan | F♯ Major | 6 | 2B | 77 BPM | ||
| Ghumti Ma Na Aau Hai | Premdhoj Pradhan | E♭ Major | 5 | 5B | 156 BPM | ||
| Maya Meri Sanjha | Bhakta Raj Acharya | F Major | 5 | 7B | 73 BPM | ||
| Chiya Barima Ho | Deepa jha | G Minor | 3 | 6A | 86 BPM | ||
| Mero Yo Geetma | Ambar Gurung, Narayan Gopal | C Minor | 6 | 5A | 139 BPM | ||
| Bhanchhan Kohi Jindagani | Shila Bahadur Moktan, Kunti Moktan | D♭ Major | 5 | 3B | 77 BPM | ||
| Kasto Ho Yo | Sugam Pokharel, Rajina Rimal | D♭ Major | 9 | 3B | 92 BPM | ||
| Mutu Chune Lumleko | Paribesh Band | D Major | 8 | 10B | 92 BPM | ||
| Tori Phulyo | Prem Dhoj Pradhan | E Minor | 4 | 9A | 109 BPM | ||
| Sachirakhu Jasto Lagchha | Bharati Ghimire, Kumar Sanu | G Major | 7 | 9B | 79 BPM | ||
| Chulesima | Sanjeev Singh | D♭ Major | 5 | 3B | 170 BPM | ||
| Najau Na Malai Chhodi | Prakash Shrestha, Sushma Shrestha | G Major | 6 | 9B | 111 BPM | ||
| Jindagiko ke Bharosa | Madhyanha Band | A Major | 5 | 11B | 96 BPM | ||
| Timi Bina | Uday Sotang, Manila Sotang | G Major | 5 | 9B | 85 BPM | ||
| Pagal Ma Banna Sakchhu Male | Swaroop Raj Acharya | D Major | 7 | 10B | 140 BPM | ||
| Tirkha Lage Nirmaya ( Hami Teen Bhai ) | Udit Narayan Jha | E Minor | 9 | 9A | 95 BPM | ||
| Aadhi Bato Hindepachhi | Manila Sotang (Lama), Uday Shotang | A♭ Minor | 6 | 1A | 102 BPM | ||
| Maya Meri Maya | Sanjay Shrestha, Binayak Shah | D Minor | 5 | 7A | 174 BPM | ||
| Malai Maph Garideu | Gopal Yonjan, Narayan Gopal | D♭ Major | 4 | 3B | 161 BPM | ||
| Isarale Bolaunu | Bhupinder Singh, Deepa jha | A♭ Major | 8 | 4B | 102 BPM | ||
| Chhitko Gunyeu | Ram Krishna Dhakal | C Major | 6 | 8B | 174 BPM | ||
| Mann Saili | Aashusen Lama, Prashant Tamang | A Minor | 8 | 8A | 78 BPM |