"The Aftermath" by WATERMEDOWN had its release date on November 7, 2013. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 5 in Accept/Except Yourself by WATERMEDOWN. Based on our statistics, The Aftermath's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Aftermath by WATERMEDOWN is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 895 | Pianos Become The Teeth | E♭ Minor | 4 | 2A | 116 BPM | ||
| Preoccupied | Save Face | E Major | 4 | 12B | 170 BPM | ||
| Title Track | The Hotelier | E♭ Major | 9 | 5B | 110 BPM | ||
| refrain | WATERMEDOWN | F Major | 6 | 7B | 140 BPM | ||
| Thick Skin (Should I Give In) | Brave Bird | D♭ Minor | 8 | 12A | 123 BPM | ||
| Remnants of My Garden | The Cardboard Swords | B♭ Major | 7 | 6B | 164 BPM | ||
| Minor Acts of Cannibalism | I'm Glad It's You | B Major | 2 | 1B | 204 BPM | ||
| Curbside | I'm Glad It's You | F♯ Major | 7 | 2B | 139 BPM | ||
| The Devil and Whom? | Weatherbox | D♭ Major | 4 | 3B | 158 BPM | ||
| Never in the Cards | Dependence | G Minor | 8 | 6A | 144 BPM | ||
| No Amount of Sound | Into It. Over It. | D♭ Major | 3 | 3B | 140 BPM | ||
| Girl | Moose Blood | D Major | 5 | 10B | 130 BPM | ||
| Late Lives | Pianos Become The Teeth | F♯ Major | 7 | 2B | 136 BPM | ||
| Keepsake | I'm Glad It's You | A♭ Major | 9 | 4B | 133 BPM | ||
| Looking Back | Real Friends | A Minor | 9 | 8A | 150 BPM | ||
| I'll Get By | Pianos Become The Teeth | G Major | 8 | 9B | 119 BPM | ||
| Bakefast at Piffany's | Dads | D Major | 7 | 10B | 155 BPM | ||
| Bath | The Island of Misfit Toys | D Major | 8 | 10B | 138 BPM | ||
| Just Friends | Pentimento | D Major | 9 | 10B | 76 BPM | ||
| Hummingbird | Runaway Brother | D Major | 6 | 10B | 109 BPM | ||
| Melonchalia | Joel Cossette | D Major | 2 | 10B | 115 BPM | ||
| The Queen | Pianos Become The Teeth | A♭ Minor | 5 | 1A | 113 BPM | ||
| Another Night | Oso Oso | G Major | 6 | 9B | 169 BPM | ||
| Drown | Dependence | C Minor | 8 | 5A | 133 BPM | ||
| Better Boy | Park Jefferson | D♭ Major | 7 | 3B | 111 BPM |