Carl Millöcker, Philipp Gehly's ' "Gasparone: Dialog 7 (Sindulfo)" was released on its scheduled release date, September 5, 2014. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Carl Millöcker, Kölner Rundfunkorchester, Franz Marszalek, Anny Schlemm, Josef Metternich's "Millöcker: Gasparone" album is number 17 out of 35. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Gasparone: Dialog 7 (Sindulfo)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Gasparone: Dialog 7 (Sindulfo) by Carl Millöcker, Philipp Gehly to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tulpen Aus Amsterdam | Gotthilf Fischer, Fischer Chöre | F Major | 7 | 7B | 173 BPM | ||
| H.M.S. Pinafore: Overture | Arthur Sullivan, Sir Charles Mackerras, Welsh National Opera Orchestra | C Major | 1 | 8B | 100 BPM | ||
| Wedgwood Blue: Wedgewood Blue | Albert Ketèlbey, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 0 | 6B | 121 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Alle sind wir Sünder (Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | F Major | 4 | 7B | 78 BPM | ||
| Luftig und duftig, OP. 206 | Eduard Strauss, Wiener Johann Strauss Orchester, Franz Bauer-Theussl | D Major | 4 | 10B | 78 BPM | ||
| Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act II | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 78 BPM | ||
| Offenbach, Rosenthal: Gaîté parisienne: No. 8, Valse (From "Orphée aux enfers") | Jacques Offenbach, Manuel Rosenthal, Herbert von Karajan, Philharmonia Orchestra | D Major | 1 | 10B | 172 BPM | ||
| Annen-Polka | Johann Strauss Orchester | D Major | 1 | 10B | 147 BPM | ||
| 7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
| Frau Luna: Folies-Bergère-Marsch | Rundfunkorchester des Südwestfunks Kaiserslautern, Emmerich Smola | C Major | 5 | 8B | 127 BPM | ||
| Bauern-Polka | Johann Strauss Orchester | G Major | 3 | 9B | 99 BPM | ||
| Der Bettelstudent: Akt I: "Ich knüpfe manche zarte Bande" | Carl Millöcker, Karl-Friedrich Hölzke, Rundfunk-Sinfonieorchester Leipzig, Günther Herbig | A Major | 3 | 11B | 40 BPM | ||
| Le nozze di Figaro, K.492, Act III: Duettino. "Canzonetta sull aria" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
| Champagner Galopp | Hans Christian Lumbye, Wiener Salonorchester | A Major | 3 | 11B | 108 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | C Major | 2 | 8B | 93 BPM | ||
| Chabrier: Le roi malgré lui, Act 2: Fête polonaise | Emmanuel Chabrier, Michel Plasson, Orchestre Du Capitole De Toulouse | F Major | 1 | 7B | 61 BPM | ||
| Cyprienne (Polka schnell) | Carl Millöcker, Nürnberger Philharmoniker, Christian Simonis | C Major | 2 | 8B | 136 BPM | ||
| Aïda Marche triomphale | Arthur Fiedler, Boston Pops Orchestra | D Major | 3 | 10B | 100 BPM | ||
| Das Land des Lächelns: Meine Liebe, deine Liebe | Franz Lehár, Sandor Konya, Herta Talmar, Renate Holm, Peter Alexander, Grosses Operetten Orchester, Franz Marszalek | G Major | 2 | 9B | 80 BPM | ||
| Fučík: Der alte Brummbär, Op. 210 | Julius Fučík, Václav Neumann, Jiří Formacek, Czech Philharmonic | F Major | 2 | 7B | 82 BPM | ||
| Du bist die Welt für mich | Rudolf Schock | E Major | 3 | 12B | 87 BPM | ||
| Victoria Galop - 1856 | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 4 | 10B | 144 BPM | ||
| Bellini: I puritani: "All’erta!" (Bruno, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Der Bettelstudent: Akt I: "Einkäufe machen sollten wir eigentlich" | Carl Millöcker, Friederike Apelt, Elisabeth Ebert, Ingeborg Wenglor, Wolfgang Hellmich, Rundfunk-Sinfonieorchester Leipzig, Günther Herbig | A Major | 3 | 11B | 40 BPM | ||
| Nabucco: Zieht, Gedanken | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | D♭ Major | 1 | 3B | 99 BPM |