"Pick Up" by David Arnold, Michael Price had its release date on January 16, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Sherlock Series 4: The Final Problem (Original Television Soundtrack)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Pick Up's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pick Up by David Arnold, Michael Price having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Awakening | Tree Adams | A Minor | 2 | 8A | 79 BPM | ||
| The Resurrection Stone | Alexandre Desplat | D♭ Minor | 0 | 12A | 69 BPM | ||
| Crying Conrad | Matthew Margeson, Dominic Lewis | E♭ Minor | 1 | 2A | 136 BPM | ||
| Carrots and Peas (From "The Imitation Game" Soundtrack) | Alexandre Desplat, London Symphony Orchestra | C Major | 0 | 8B | 104 BPM | ||
| The Problems of Your Future | David Arnold, Michael Price | A Minor | 2 | 8A | 81 BPM | ||
| Status Symbols | David Arnold, Michael Price | C Major | 3 | 8B | 130 BPM | ||
| Absolute Trust | David Arnold, Michael Price | F Major | 2 | 7B | 80 BPM | ||
| Practice and Policy | Howard Shore | D Minor | 3 | 7A | 112 BPM | ||
| Light | Ray D Kim | G Major | 3 | 9B | 96 BPM | ||
| It Is True | Martin Phipps, BBC National Orchestra Of Wales | G Major | 0 | 9B | 69 BPM | ||
| Thirteen (feat. Hollie Buhagiar) | Segun Akinola, Hollie Buhagiar | D Minor | 5 | 7A | 80 BPM | ||
| A Long Strange Trip | Michael Giacchino | C Major | 3 | 8B | 125 BPM | ||
| Private Property | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| The Day That Wasn’t | Jeff Russo | E Minor | 2 | 9A | 142 BPM | ||
| Départ chez la Bête | Pierre Adenot | A Minor | 2 | 8A | 69 BPM | ||
| Smoke Alarm | David Arnold, Michael Price | A Minor | 3 | 8A | 124 BPM | ||
| The Pier | Rachel Portman | E Minor | 1 | 9A | 85 BPM | ||
| Evelyn Goes It Alone | Geoff Zanelli, Jon Brion | F♯ Minor | 1 | 11A | 83 BPM | ||
| Valerie | Dario Marianelli | D♭ Major | 1 | 3B | 71 BPM | ||
| For Those We Loved | Austin Wintory | C Minor | 1 | 5A | 164 BPM | ||
| Courtyard Apocalypse | Alexandre Desplat | D♭ Major | 3 | 3B | 97 BPM | ||
| Welcome to the ISS | Jon Ekstrand | D♭ Minor | 2 | 12A | 100 BPM | ||
| Condicionar Mal | Noches Eternas | D Minor | 2 | 7A | 89 BPM | ||
| Farmhouse | Danny Elfman | E Major | 0 | 12B | 100 BPM | ||
| War | David Arnold, Michael Price | B♭ Major | 2 | 6B | 112 BPM |