Concrete Blonde, Earle Mankey's 'Bloodletting (The Vampire Song) - Extended Version' had a release date set for November 1, 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Still In Hollywood". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Based on our statistics, Bloodletting (The Vampire Song) - Extended Version's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Bloodletting (The Vampire Song) - Extended Version by Concrete Blonde, Earle Mankey having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Head On | The Jesus and Mary Chain | C Major | 9 | 8B | 139 BPM | ||
| Dance Along The Edge | Concrete Blonde | A Minor | 6 | 8A | 125 BPM | ||
| Christian Says | Tones On Tail | D Minor | 9 | 7A | 136 BPM | ||
| Partytime - Single Version | 45 Grave | B♭ Minor | 8 | 3A | 128 BPM | ||
| President Gas | The Psychedelic Furs | G Major | 9 | 9B | 131 BPM | ||
| Dark Secret | Matthew Sweet | F♯ Minor | 7 | 11A | 119 BPM | ||
| Days And Days | Concrete Blonde | F Major | 9 | 7B | 141 BPM | ||
| Last Cigarette | Dramarama | C Major | 8 | 8B | 140 BPM | ||
| Damage I've Done | The Heads, Johnette Napolitano | F Major | 5 | 7B | 113 BPM | ||
| And the Rain | Shriekback | E Minor | 7 | 9A | 100 BPM | ||
| I Wanna Be a Flinstone | The Screaming Blue Messiahs | E Major | 9 | 12B | 188 BPM | ||
| Coming Down (Drug Tongue) | The Cult | A♭ Major | 10 | 4B | 124 BPM | ||
| And This Is What the Devil Does | My Life With The Thrill Kill Kult | A Minor | 9 | 8A | 113 BPM | ||
| Cat House | Danielle Dax | D♭ Major | 8 | 3B | 152 BPM | ||
| Big Love (Animal Kingdom Main Title Theme) | Claudia Sarne, Atticus Ross | F Major | 9 | 7B | 123 BPM | ||
| After the Flesh | My Life With The Thrill Kill Kult | C Major | 10 | 8B | 130 BPM | ||
| Sexplosion | My Life With The Thrill Kill Kult | B♭ Minor | 7 | 3A | 106 BPM | ||
| C'mon Every Beatbox | Big Audio Dynamite | D♭ Major | 8 | 3B | 124 BPM | ||
| Big Neon Glitter | The Cult | G Major | 9 | 9B | 128 BPM | ||
| Mean Machine | The Cramps | D Major | 10 | 10B | 129 BPM | ||
| Burn the Flames | Roky Erickson | E Major | 8 | 12B | 98 BPM | ||
| Channel Z | The B-52's | D♭ Major | 8 | 3B | 131 BPM | ||
| Queenie | Ethyl Meatplow | D Major | 7 | 10B | 117 BPM | ||
| Eaten By The Monster Of Love | Sparks | D Major | 8 | 10B | 117 BPM | ||
| Rudy's Arms | Earle Mankey | G Major | 5 | 9B | 119 BPM |