"As a Metaphor (take 1)" by Michael Mcneill, Susan Alcorn, Dave Ballou, Shelly Purdy had its release date on October 1, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 7 in Barcode Poetry by Michael Mcneill. As a Metaphor (take 1) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of As a Metaphor (take 1) by Michael Mcneill, Susan Alcorn, Dave Ballou, Shelly Purdy is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| M.A.Y. in The Backyard | Ryuichi Sakamoto | F Major | 1 | 7B | 104 BPM | ||
| pack howling | R.Kuhn | F Major | 2 | 7B | 150 BPM | ||
| Traces VI | Tigran Hamasyan, Arve Henriksen, Eivind Aarset, Jan Bang | A Minor | 1 | 8A | 76 BPM | ||
| June 22, 2021, 4∶30pm, Session 15 | Evan Courtin, Megan Kyle, Michael Mcneill, Katie Weissman, The Evolution of the Arm | C Major | 3 | 8B | 86 BPM | ||
| Song to John, (Pt.1) | Stanley Clarke | C Major | 1 | 8B | 89 BPM | ||
| Litari | Renato Vecchio | A Minor | 4 | 8A | 120 BPM | ||
| Sense Suppression | Tim Hecker | G Major | 10 | 9B | 74 BPM | ||
| 家族ゲームMEDLEY | Toshiyuki Honda | C Major | 2 | 8B | 67 BPM | ||
| Chassé | Mette Henriette | D Major | 1 | 10B | 114 BPM | ||
| Urban Poem - Prélude | Guillaume Latil, Matheus Donato | E Minor | 3 | 9A | 140 BPM | ||
| Sonata V | John Cage | F♯ Major | 6 | 2B | 111 BPM | ||
| Kimberley Trumpet | Miles Davis, Michel Legrand, Chuck Findley | D Minor | 5 | 7A | 107 BPM | ||
| Prelude to Dorotea | Martin Fröst | D Minor | 0 | 7A | 77 BPM | ||
| Revolución diamantina, Act I. The sounds cats make | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale | A♭ Major | 5 | 4B | 111 BPM | ||
| A Trace of Salt | Emilie Levienaise-Farrouch | D♭ Minor | 1 | 12A | 85 BPM | ||
| Mue | Koki Nakano | F♯ Major | 2 | 2B | 104 BPM | ||
| As a Metaphor (take 2) | Michael Mcneill, Susan Alcorn, Dave Ballou, Shelly Purdy | G Major | 3 | 9B | 68 BPM | ||
| DA・MA・SHI・絵 | 久石 譲 アンサンブル | F♯ Minor | 5 | 11A | 106 BPM | ||
| Inner Harmony | Rylandiaa | E Major | 1 | 12B | 100 BPM | ||
| The Good Wine | Alabaster DePlume | D Minor | 1 | 7A | 70 BPM | ||
| Dzonot: II. El olo del Jaguar | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Alisa Weilerstein | F Major | 4 | 7B | 129 BPM | ||
| Deep Divine Rest | Sonic Evolution | C Major | 0 | 8B | 89 BPM | ||
| Klavierstück II | Karlheinz Stockhausen, Miharu Ogura | F♯ Major | 0 | 2B | 86 BPM | ||
| Solstice Ritual, Homage to Varèse and Ravel for 14 virtuosi: II. Two Drumming Rituals | Augusta Read Thomas, Grossman Ensemble, Jeffrey Milarsky | D♭ Major | 1 | 3B | 94 BPM | ||
| Les métronomes détraqués | Christophe Rieger, Jean-Louis Marchand | E♭ Major | 0 | 5B | 71 BPM |