Jack Lemmon's 'Fine and Dandy' had a release date set for December 9, 1958. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Fine and Dandy's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 12 in A Twist Of...Lemmon by Jack Lemmon. In terms of popularity, Fine and Dandy is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Fine and Dandy by Jack Lemmon is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Five Pennies Main Title - Remastered 2004 | Leith Stevens And His Orchestra | A Major | 5 | 11B | 108 BPM | ||
| The Physician | Blossom Dearie | G Major | 0 | 9B | 74 BPM | ||
| Full Moon And Empty Arms | Jim Nabors | D Major | 4 | 10B | 94 BPM | ||
| Pavement Prophets | JAY 1STOCK | F Major | 1 | 7B | 119 BPM | ||
| Lonesome Cities | Rod McKuen | G Major | 2 | 9B | 113 BPM | ||
| The Ivy That Clings to the Wall | Rod McKuen | E♭ Major | 5 | 5B | 132 BPM | ||
| Skylark | Hoagy Carmichael | D♭ Major | 1 | 3B | 70 BPM | ||
| Without Love | Sal Valentinetti, The No Vacancy Orchestra | F Major | 3 | 7B | 175 BPM | ||
| Starlit Serenade | Vintage Jazz, Jazz Oldies, 1950s Music | D Major | 1 | 10B | 120 BPM | ||
| A Good Good Day | Timeless Tone | C Major | 3 | 8B | 116 BPM | ||
| What Is This Thing Called Love | Bonnie Lou Williams with Tommy Dorsey and His Orchestra | D Minor | 3 | 7A | 161 BPM | ||
| Day in Day Out | Alford Beier | D Major | 5 | 10B | 100 BPM | ||
| Linda | Ray Noble & His Orchestra | F Major | 1 | 7B | 101 BPM | ||
| The More I See You | Frankie Randall | C Major | 2 | 8B | 111 BPM | ||
| Finger of Suspicion | Dickie Valentine | D♭ Major | 3 | 3B | 82 BPM | ||
| A Pretty Girl Is Like a Melody | Earl Hines Orchestra, Johnny Hartman | A♭ Major | 4 | 4B | 115 BPM | ||
| Holiday Night Radio | Oldies Playing | D Major | 0 | 10B | 70 BPM | ||
| Star Dust | Hoagy Carmichael | A♭ Major | 4 | 4B | 83 BPM | ||
| Moonlight Two-Step | Murmur Haven | F Major | 4 | 7B | 148 BPM | ||
| It's Anybody's Spring | Jack Lemmon | G Minor | 2 | 6A | 76 BPM | ||
| I Get Ideas | Glenn Crytzer | C Major | 0 | 8B | 72 BPM | ||
| Hearts Entwined | Playing From Another Room | F Minor | 4 | 4A | 74 BPM | ||
| Sand in My Shoes | Bobby Short | C Major | 3 | 8B | 144 BPM | ||
| 時の過ぎゆくまま | アンディ・ウィリアムス | C Major | 2 | 8B | 176 BPM | ||
| Strangers in the Night | Edgar Everett | E♭ Major | 4 | 5B | 84 BPM |