Rudy Linka's 'The Last Second Line' had a release date set for January 1, 2003. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rudy Linka's "Lucky Southern" album is number 2 out of 12. On top of that, Austria appears to be the country where this track was created. In terms of popularity, The Last Second Line is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of The Last Second Line by Rudy Linka to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Iris | Cyril Guiraud, Omree Gal-Oz | E Minor | 1 | 9A | 70 BPM | ||
| It’s Okay | Nils Wülker | B♭ Major | 2 | 6B | 72 BPM | ||
| Stilts | Rasmus Sørensen | C Major | 2 | 8B | 98 BPM | ||
| The Shadowlands | Joel Ross | B♭ Major | 2 | 6B | 72 BPM | ||
| The Sacred Place | Joel Ross | B♭ Major | 2 | 6B | 72 BPM | ||
| W 48th street | Biréli Lagrène, Raphael Pannier, Jean-Yves Jung, William Brunard | B♭ Major | 2 | 6B | 72 BPM | ||
| Duel in the Moonlight | Virtual Sax | B♭ Major | 2 | 6B | 72 BPM | ||
| Checkered Floor Blues | Kenneth James Trio | B♭ Major | 2 | 6B | 72 BPM | ||
| Hoboken | Jeff Rupert, George Garzone, Jeremy Allen, Marty Morell, Richard Drexler | A♭ Major | 4 | 4B | 107 BPM | ||
| As light retreats | Mabon Clarke Quartet | E♭ Major | 0 | 5B | 93 BPM | ||
| Golden Slumber Samba | Veludo Azul | G Major | 4 | 9B | 90 BPM | ||
| There Will Never Be Another You | Antonio Faraò | B♭ Major | 2 | 6B | 72 BPM | ||
| A Page Before | Rudy Linka | A♭ Major | 1 | 4B | 96 BPM | ||
| Stone Cold | Nico Valente | C Major | 0 | 8B | 49 BPM | ||
| Il pleut sur de la Commune | The Sunset Hill Jazz Band, Paul Rossy | A♭ Major | 3 | 4B | 125 BPM | ||
| Double Blues | Giulio Granati, Antonio Cervellino, Francesco D'Auria | F Major | 2 | 7B | 133 BPM | ||
| Half of Us | Slug, Louk, Hoffy Beats, Tonion | B♭ Major | 2 | 6B | 72 BPM | ||
| The Table Still Warm | The Jazzlight Trio | B♭ Major | 2 | 6B | 72 BPM | ||
| Annie's Song | Kat Ellis Ensemble | B♭ Major | 2 | 6B | 72 BPM | ||
| O Que Sera | Antonio Faraò | B♭ Major | 2 | 6B | 72 BPM | ||
| Chronicles of the Exiled | Niko de Oro | D♭ Major | 9 | 3B | 136 BPM | ||
| When Lights Are Low | Hans Ulrik | B♭ Major | 2 | 6B | 72 BPM | ||
| Brown Leather, Cold Room | Ruben Natura | C Minor | 3 | 5A | 177 BPM | ||
| Last Call | Ben Rosenblum Nebula Project | B♭ Major | 2 | 6B | 72 BPM | ||
| Would You ? | Rudy Linka | A♭ Major | 1 | 4B | 97 BPM |