Cinnamon Chasers's ' "We Could Have Been Together - Electronic Rework" was released on its scheduled release date, January 1, 2015. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "The Archives, Vol. 2: Sublimation (Electronic Reworks & Guest Vocals)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, We Could Have Been Together - Electronic Rework's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With We Could Have Been Together - Electronic Rework by Cinnamon Chasers having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eurydice in Scarlet | All India Radio | A Minor | 8 | 8A | 100 BPM | ||
| Orquidea | Maty Owl | C Major | 6 | 8B | 123 BPM | ||
| Why? | Ampersounds, Fred Falke | B Minor | 7 | 10A | 118 BPM | ||
| Over a God | Lake Turner | E Minor | 7 | 9A | 116 BPM | ||
| On The Phone - Mixed | Jackarta | F Minor | 7 | 4A | 122 BPM | ||
| Autumn Leaves | Aiiso | C Major | 5 | 8B | 114 BPM | ||
| Fill Me Up | Henry Saiz, Cornelia | E Minor | 4 | 9A | 121 BPM | ||
| JPEG | Digitalism | D♭ Major | 8 | 3B | 216 BPM | ||
| Es Vedra | Manu Zain | C Major | 6 | 8B | 106 BPM | ||
| Someone - Aiiso Remix | Ascension, Aiiso | B Minor | 6 | 10A | 120 BPM | ||
| Reminiscence | Midnight Fury | B Minor | 5 | 10A | 116 BPM | ||
| Caryatid | Keep Shelly In Athens | B♭ Minor | 5 | 3A | 124 BPM | ||
| Bonder | Rocket Empire, Amber Sparks | E Minor | 5 | 9A | 133 BPM | ||
| Digital Dream | IcoS | A Minor | 5 | 8A | 100 BPM | ||
| Sequenz (I) | Rauschtemperatur | E Minor | 6 | 9A | 117 BPM | ||
| Here She Comes | Jackarta | A Major | 8 | 11B | 123 BPM | ||
| Second Chance | Cinnamon Chasers | F♯ Minor | 5 | 11A | 180 BPM | ||
| Pieces | Yppah | A♭ Major | 5 | 4B | 94 BPM | ||
| Jaws of Life | Man Without Country | C Minor | 8 | 5A | 148 BPM | ||
| Glass Darkly | John Dunder | G Major | 6 | 9B | 104 BPM | ||
| Raíces y Ecos | RAEZZA | A♭ Major | 8 | 4B | 120 BPM | ||
| Ethereal | Klangphonics | C Minor | 8 | 5A | 123 BPM | ||
| Ride | The Lightning Kids | G Major | 7 | 9B | 110 BPM | ||
| A Different Life | Nordfold | F Minor | 8 | 4A | 123 BPM | ||
| Night | Jasper Byrne | E♭ Major | 4 | 5B | 128 BPM |