"Autodreamographical Tales (Arr. G. Riley for Chamber Ensemble): VI. Black Woman" by Terry Riley, Bang On A Can All-Stars had its release date on March 25, 2022. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Terry Riley: Autodreamographical Tales". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Based on our statistics, Autodreamographical Tales (Arr. G. Riley for Chamber Ensemble): VI. Black Woman's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Autodreamographical Tales (Arr. G. Riley for Chamber Ensemble): VI. Black Woman by Terry Riley, Bang On A Can All-Stars having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Empire III | Jon Hassell | A♭ Major | 2 | 4B | 93 BPM | ||
| Offering | Ravi Shankar, Tim Baker, Barry Finclair, Mayuki Fukuhara, Regis Iandiorio, Karen Karlsud, Sergiu Schwartz, Masako Yanagita, Al Brown, Richard Sortomme, Seymour Barab, Beverly Laudrisen, Fred Zlotkin, Joe Carver, Theresa Norris, Jack Kripl, Jon Gibson, Richard Peck, Lenny Pickett, Peter Gordon, Ron Sell, Keith O'Quinn, Alan Raph, Gorden Gottleib, Jeanie Gagne, Michael Riesman, S. P. Balasubrahmanyam, Madras Choir, Madras, Ronu Majumdar, Shubho Shankar, Partha Sarathy, T. Srinivasan, Abhiman Kaushal, Philip Glass | B♭ Major | 2 | 6B | 80 BPM | ||
| M - Music I - Inside C - Curved E-Entrances | Terry Riley | F♯ Minor | 6 | 11A | 100 BPM | ||
| Mountain of Air | Ellen Arkbro | G Minor | 1 | 6A | 69 BPM | ||
| Moments | Benjamin Lew, STEVEN BROWN | B♭ Major | 2 | 6B | 177 BPM | ||
| Three | Ellen Arkbro | C Minor | 0 | 5A | 67 BPM | ||
| The Lazy Song I | BEABEE | F♯ Major | 7 | 2B | 95 BPM | ||
| Jubilant Voyage | Aaron Shaw | F♯ Major | 7 | 2B | 95 BPM | ||
| Dream Song | Erik Friedlander | C Major | 0 | 8B | 144 BPM | ||
| Tree Trail | Moondog | G Minor | 6 | 6A | 81 BPM | ||
| The Wind in High Places: I. Above Sunset Pass | John Luther Adams, JACK Quartet | F Minor | 0 | 4A | 101 BPM | ||
| Metastaseis | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | A Minor | 2 | 8A | 80 BPM | ||
| Harp | Masayoshi Fujita | F♯ Minor | 1 | 11A | 74 BPM | ||
| Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: III | Morton Feldman, Ensemble Recherche | D Major | 0 | 10B | 136 BPM | ||
| Appalachian Grove I | Laurie Spiegel | G Minor | 1 | 6A | 109 BPM | ||
| Cast Of Mind | Kali Malone | F♯ Minor | 1 | 11A | 74 BPM | ||
| Filigree | John Surman | G Minor | 1 | 6A | 149 BPM | ||
| Invisible Parades, Namassivaya | Vighnesh Maharaj Peters | E Minor | 2 | 9A | 120 BPM | ||
| In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | G Minor | 0 | 6A | 127 BPM | ||
| For Bunita Marcus: Mm. 1270-1372 | Morton Feldman, Aki Takahashi | D Major | 0 | 10B | 60 BPM | ||
| Swastika Girls I | Robert Fripp, Brian Eno | B Major | 2 | 1B | 76 BPM | ||
| Being Time | Reganbogen | A Minor | 0 | 8A | 113 BPM | ||
| The Sinking of the Titanic: 6. Hymn IV | Gavin Bryars, Gavin Bryars Ensemble | A♭ Major | 0 | 4B | 60 BPM | ||
| Discreet Music, Pt. 2 | Brian Eno, Emma Zoe Elkinson, Dean Pomeroy, ContaQt | A♭ Major | 2 | 4B | 68 BPM | ||
| Triadic Memories: I | Morton Feldman, Helena Basilova | A♭ Major | 0 | 4B | 160 BPM |