Mathis Der Maler, 3rd Tableau, Scene 1: In dieser Arche wird unsere Habe (Lutherische/Riedinger) by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra Song Details

Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra's ' "Mathis Der Maler, 3rd Tableau, Scene 1: In dieser Arche wird unsere Habe (Lutherische/Riedinger)" was released on its scheduled release date, April 1, 1995. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Paul Hindemith, Rafael Kubelik's "Hindemith: Mathis der Maler" album is number 1 out of 61. Based on our statistics, Mathis Der Maler, 3rd Tableau, Scene 1: In dieser Arche wird unsere Habe (Lutherische/Riedinger)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

We consider the tempo marking of Mathis Der Maler, 3rd Tableau, Scene 1: In dieser Arche wird unsere Habe (Lutherische/Riedinger) by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Music Key

This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -18.766 dB
Acousticness: 97%
Danceability: 48%
Energy: 34%
Instrumentalness: 0%
Liveness: 64%
Loudness: 69%
Speechiness: 6%
Valence: 46%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Schumann: 3 Romances for Oboe and Piano, Op. 94: No. 1, Nicht schnell	Robert Schumann, Albrecht Mayer, Markus Becker	A Minor	0	8A	77 BPM
Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile	Robert Schumann, Alexander Melnikov, Jerusalem Quartet	B♭ Major	0	6B	74 BPM
Piano Concerto in A Minor, Op. 7: III. Finale. Allegro non troppo - Allegro molto	Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein	F Minor	1	4A	103 BPM
Piano Quintet in E-Flat Major, Op. 44: I. Allegro brillante	Robert Schumann, Alexander Melnikov, Jerusalem Quartet	A Major	0	11B	88 BPM
Viola Sonata, Op. 11, No. 5: III. Scherzo. Schnell	Paul Hindemith, Nobuko Imai	F♯ Major	1	2B	71 BPM
String Quintet in G Major, FS 5: II. Adagio	Carl Nielsen, Tim Frederiksen, Danish String Quartet	B♭ Major	1	6B	80 BPM
Marchenbilder (Fairy Tales), Op. 113: III. Rasch	Robert Schumann, Tabea Zimmermann, Hartmut Höll	F Major	1	7B	82 BPM
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando (1943 Version)	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra	E Major	2	12B	76 BPM
Trio for Oboe, Bassoon and Piano: 3. Rondo	Francis Poulenc, Hansjorg Schellenberger, Milan Turkovic, James Levine	D♭ Major	2	3B	71 BPM
Honegger : Symphony No.1 in C major : II Adagio	Arthur Honegger, Charles Dutoit, Bavarian Radio Symphony Orchestra	B Major	0	1B	78 BPM
Les biches Suite, FP 36b: IV. Andantino	Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud	C Major	0	8B	105 BPM
Music for Strings, Percussion & Celesta, Sz. 106: II. Allegro	Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti	D♭ Major	2	3B	142 BPM
Trauermusik	Paul Hindemith, Kim Kashkashian, Dennis Russell Davies, Stuttgart Chamber Orchestra	E Minor	1	9A	99 BPM
Pulcinella, K 034: II. Serenata	Igor Stravinsky, Josep Pons, Orquestra De Cambra Teatre Lliure	C Minor	0	5A	77 BPM
Adagio (Elegy) For String Quartet - Live	Dmitri Shostakovich, Emerson String Quartet	F♯ Minor	0	11A	90 BPM
4 Orchestral Pieces, Sz. 51: IV. Marcia funebre. Maestoso	Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez	D Major	1	10B	73 BPM
Schoenberg: 3 Piano Pieces, Op. 11: No. 2, Mässige Achtel	Arnold Schoenberg, Daniel Barenboim	B♭ Major	0	6B	134 BPM
Ephesiaká II	Radoslaw Pallarz, Sebastian Manz	E Minor	0	9A	73 BPM
Symphony in 3 Movements, K73: I. [Allegro]. Crotchet = 160	Igor Stravinsky, Berliner Philharmoniker, Pierre Boulez	G Major	1	9B	84 BPM
Svanevit Suite, Op. 54: III. Tärnorna med rosor	Jean Sibelius, Finnish Radio Symphony Orchestra, Nicholas Collon	C Major	1	8B	85 BPM
Eine Alpensinfonie, Op. 64, TrV 233: II. Sonnenaufgang	Richard Strauss, Berliner Philharmoniker, Seiji Ozawa	A Major	3	11B	62 BPM
Viola Sonata, Op. 31, No. 4: II. Lied. Ruhig, mit wenig Ausdruck. Langsame Viertel	Paul Hindemith, Nobuko Imai	G Major	1	9B	87 BPM
Trittico Botticelliano: No. 3, La nascita di Venere	Ottorino Respighi, Bamberg Symphony, Riccardo Frizza	F Minor	1	4A	83 BPM
Gaspard de la nuit: I. Ondine (arr. M. Constant for orchestra)	Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン	D♭ Major	0	3B	115 BPM
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet	Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths	D Minor	0	7A	94 BPM