Two Weeks In Nashville's ' "Wait Until Tomorrow" was released on its scheduled release date, June 13, 2025. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Wait Until Tomorrow's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Working At The Speed Of Thought by Two Weeks In Nashville. The song's track number on the album is #9 out of 12 tracks. Based on our data, United Arab Emirates was the country where this track was produced or recorded. Based on our statistics, Wait Until Tomorrow's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Wait Until Tomorrow by Two Weeks In Nashville has a tempo of 140 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Wait Until Tomorrow being at 140 BPM, the half-time would be 70 BPM with a double-time of 280 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Easy Come, Easy Go | Two Weeks In Nashville | A Major | 9 | 11B | 160 BPM | ||
| Mona Lisa | Manilla Times | A Major | 10 | 11B | 160 BPM | ||
| Hold On Me | The Flints | A Major | 9 | 11B | 160 BPM | ||
| communication | DAYTIME TV | D Major | 2 | 10B | 124 BPM | ||
| Satellite | Shader | A Major | 9 | 11B | 160 BPM | ||
| Naive Kid | Creature Canyon | C Major | 6 | 8B | 96 BPM | ||
| chasing changes | Noah Sties | A Major | 9 | 11B | 170 BPM | ||
| Care More | Oceanic | D Major | 6 | 10B | 160 BPM | ||
| Under Your Spell | Delights | E Major | 9 | 12B | 170 BPM | ||
| Summer 2016 | Amorfati | A Major | 9 | 11B | 160 BPM | ||
| Is There Anybody Out There? | Two Weeks In Nashville | A Major | 9 | 11B | 160 BPM | ||
| Kid | lostboy | B Major | 9 | 1B | 156 BPM | ||
| Calling Me Out | Castells | E Major | 7 | 12B | 130 BPM | ||
| Jump into the Sun (Jay Remix) | JeffAv, JAY SCOTT DIAMOND | A Minor | 7 | 8A | 132 BPM | ||
| Conversations | Pet Rhino | E♭ Major | 8 | 5B | 133 BPM | ||
| Someone Else's Game | John Denton | A Major | 9 | 11B | 160 BPM | ||
| Film | The Kites | G Major | 9 | 9B | 90 BPM | ||
| Admit Nothing | The Avenues | A Major | 9 | 11B | 160 BPM | ||
| Liquorice | modernlove. | D Major | 9 | 10B | 110 BPM | ||
| Merv | The Hubbards | C Major | 8 | 8B | 117 BPM | ||
| Electric Touch | Creature Canyon | C Major | 6 | 8B | 96 BPM | ||
| I'd Be the Worst | Farebrother | B♭ Minor | 8 | 3A | 130 BPM | ||
| Recovery | Pablo Robinson | F♯ Major | 6 | 2B | 167 BPM | ||
| Get Up | Pentire | C Major | 7 | 8B | 165 BPM | ||
| Fooled By You | Oceanic | E Minor | 6 | 9A | 110 BPM |