German and Polish Dances (1601) by Christoph Demantius, Praetorius Consort, Christopher Ball Song Details

On September 14, 2010, the song "German and Polish Dances (1601)" was released by Christoph Demantius, Praetorius Consort, Christopher Ball. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 39 in the song's album "Praetorius: Dances from Terpsichore, etc.". In this album, this song's track order is #38. Furthermore, we believe that the track originated from United States. In terms of popularity, German and Polish Dances (1601) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

With German and Polish Dances (1601) by Christoph Demantius, Praetorius Consort, Christopher Ball having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -17.628 dB
Acousticness: 74%
Danceability: 78%
Energy: 40%
Instrumentalness: 96%
Liveness: 8%
Loudness: 71%
Speechiness: 8%
Valence: 89%

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