On 2001, the song "Tan Tana Tan Baje Dhol Ar Dhak" was released by Rizia Parveen, Polash. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Emon Saha, Moniruzzaman Monir, Kabir Bakul's "Jamai Shoshur (Original Motion Picture Soundtrack)" album is number 6 out of 6. In terms of popularity, Tan Tana Tan Baje Dhol Ar Dhak is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Tan Tana Tan Baje Dhol Ar Dhak by Rizia Parveen, Polash to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Congrechulation | Shakila Zafar | B♭ Minor | 7 | 3A | 115 BPM | ||
| Dil Ki Dhadkan Bole | Udit Narayan, Alka Yagnik, Sapna Awasthi | D Major | 6 | 10B | 98 BPM | ||
| Laga Kera Bera | Agun, Rizia Parveen | A♭ Major | 10 | 4B | 128 BPM | ||
| Bondhu Amar Paner Dokandar | Momtaz | F Major | 9 | 7B | 85 BPM | ||
| Jibone Morone Ek Hoyechi - From "Shudhu Tomari" | Rizia Parveen, M A Khalek, Ilias Javed, Milton Khondokar | A Minor | 9 | 8A | 90 BPM | ||
| Heiyan Maaro Re | Srikanta Acharya | C Major | 3 | 8B | 183 BPM | ||
| Mon Amar Sudhu Tomar | Rizia Parveen, SD Rubel | B♭ Major | 10 | 6B | 137 BPM | ||
| Na Ja Re | Arjun Lakra | G Major | 4 | 9B | 135 BPM | ||
| More Naa Nai Kahele | Santanu Sahu, Pami | F♯ Major | 8 | 2B | 153 BPM | ||
| Kaal Je Ki Hobe | Abhijeet | C Minor | 7 | 5A | 125 BPM | ||
| Ei Hridoye | Khalid Hasan Milu, Samina Chowdhury | D♭ Major | 1 | 3B | 119 BPM | ||
| Med Renah Hor Te Gate | SANTHALI AKHARA, Baha Hansdah | C Major | 6 | 8B | 153 BPM | ||
| Man Veena Ke Taar Bole | Brahma Kumaris | F Major | 5 | 7B | 138 BPM | ||
| Khai Kaudi | Mohammad Aziz | F Minor | 8 | 4A | 146 BPM | ||
| Kahuchhi Rana Khai | Abhijit Majundar | G Major | 3 | 9B | 70 BPM | ||
| 71 Er Ma Jononi | Runa Laila, Agun | A♭ Major | 5 | 4B | 135 BPM | ||
| Ishshor Allah Bidhata | Monir Khan, Kanak Chapa | C Major | 9 | 8B | 109 BPM | ||
| Furiye Jay Shob | Agun, Rizia Parveen | G Minor | 10 | 6A | 132 BPM | ||
| Tumi Lal Shari Poriya | Rizia Parveen, Agun | F Major | 10 | 7B | 122 BPM | ||
| Gori Gori Chhori | Abhijeet, Sapna Mukherjee | A♭ Major | 7 | 4B | 82 BPM | ||
| Mo Tuuku Mushi Bulei Neija Thare | Namita Agrawal | G Major | 8 | 9B | 178 BPM | ||
| O Amar Bondhu Re - From "Shudhu Tomari" | Rizia Parveen, M A Khalek, Ilias Javed, Milton Khondokar | B Minor | 8 | 10A | 123 BPM | ||
| Tu Mora Jibana Dhana - Aeithi Swarga Aeithi Narka | Mohammed Aziz, Sailabhama Mohapatra | E Minor | 8 | 9A | 88 BPM | ||
| Babu Jara Bach K | Sailabhama | F♯ Major | 9 | 2B | 77 BPM | ||
| Aa Saathi Mana Dedi | Md. Aziz, Namita Agrawal | B Minor | 7 | 10A | 80 BPM |