You Came To Me
Todd Edwards
You Came To Me
6:49 February 15, 2002
BPM
132
Key
C Major
Camelot
8B

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You Came To Me by Todd Edwards Song Details

On February 15, 2002, the song "You Came To Me" was released by Todd Edwards. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since You Came To Me only contains only one song in the album, we like to consider this song as a single. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, You Came To Me's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

Since You Came To Me by Todd Edwards has a tempo of 132 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With You Came To Me being at 132 BPM, the half-time would be 66 BPM with a double-time of 264 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-4.802 dB
Acousticness
1%
Danceability
90%
Energy
90%
Instrumentalness
30%
Liveness
4%
Loudness
92%
Speechiness
9%
Valence
93%

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ISRC
GBCPZ0218017
Label
L-M Records/RCA Records