Philippe Gerard, Lambert Wilson's ' "Casse-têtes" was released on its scheduled release date, February 12, 2016. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Casse-têtes's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wilson chante Montand by Lambert Wilson. The song's track number on the album is #4 out of 17 tracks. Based on our statistics, Casse-têtes's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Casse-têtes by Philippe Gerard, Lambert Wilson has a tempo of 134 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Casse-têtes being at 134 BPM, the half-time would be 67 BPM with a double-time of 268 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La damnation de Faust, Op. 24, Pt. IV Scene 19: Pandemonium: Irimiru Karabrao! (Chorus of the Damned and the Demons) | Hector Berlioz, Marie-Ange Todorovitch, Michael Myers, Alain Vernhes, René Schirrer, Jan Rozehnal, Philippe Gerard, Slovak Philharmonic Choir, Orchestre National de Lille, Jean-Claude Casadesus | D Major | 0 | 10B | 147 BPM | ||
| Sinfonietta: III. Allegro | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | F Minor | 3 | 4A | 122 BPM | ||
| Gulda: Concerto for Cello, Wind Orchestra and Band, Op. 129: II. Idylle | Friedrich Gulda, Edgar Moreau, Raphaël Merlin, Les Forces Majeures | B♭ Major | 1 | 6B | 166 BPM | ||
| Sibelius: Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Ida Haendel, Bournemouth Symphony Orchestra, Paavo Berglund | G Minor | 8 | 6A | 170 BPM | ||
| Spartacus, Act II: Parting of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
| The Golden Age, Op. 22: Act III, Blues | Bolshoi Theatre Orchestra | D Major | 0 | 10B | 105 BPM | ||
| Danzas fantásticas, Op. 22: II. Ensueño | Joaquín Turina, Juanjo Mena, BBC Philharmonic | F Major | 1 | 7B | 128 BPM | ||
| Badian: Concerto for Piano & Orchestra, Pt. 1 (Live) | Maya Badian, Winnipeg Symphony Orchestra, Peter Tiefenbach | G Minor | 5 | 6A | 74 BPM | ||
| Radiant Moments | Veridia | E Minor | 0 | 9A | 82 BPM | ||
| Feelings - Original Mix | Siphero, Philippe Gerard | A Minor | 5 | 8A | 132 BPM | ||
| Variations on a Hungarian Folksong "The Peacock": Moderato | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra | C Minor | 0 | 5A | 69 BPM | ||
| Kreisler: Marche miniature viennoise (Arr. Lehn for Trumpet and Orchestra) | Fritz Kreisler, Lucienne Renaudin Vary, Sascha Goetzel, Orchestre de chambre de Paris | D Major | 1 | 10B | 100 BPM | ||
| Petrouchka: Chez Petrouchka | Ferenc Fricsay, Berliner Philharmoniker | E Minor | 3 | 9A | 89 BPM | ||
| Hada pequeña | Quartetto Fancelli | D Minor | 3 | 7A | 119 BPM | ||
| Bottesini: Grande allegro di concerto (alla Mendelssohn) | Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic | E Minor | 2 | 9A | 136 BPM | ||
| Strangers: A Chamber Ballet About Immigration - No. 16. At the Border | Brian Dean Morales, Devin Hinzo, Ian Morin, Kimberly Zaleski, Robert Davis, Torrel Moss, Van Parker | E Minor | 0 | 9A | 82 BPM | ||
| Tríptico | Gabriel Andrés Gallegos | G Major | 2 | 9B | 140 BPM | ||
| Prince Igor: Dance of the Polovtsian Maidens. Presto | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
| Weber: Abu Hassan, J. 106: Overture | Carl Maria von Weber, Otto Ackermann, Gürzenich Orchester Köln | C Major | 5 | 8B | 146 BPM | ||
| Eight Russian Folksongs for Orchestra, Op. 58: VI. Cradle Song (Lullaby). Moderato | Anatoly Lyadov, Alexander Gauk | C Minor | 2 | 5A | 72 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | E Minor | 0 | 9A | 82 BPM | ||
| Ritirata notturna di Madrid | Luigi Boccherini, Finnish Radio Symphony Orchestra, Hannu Lintu | C Major | 2 | 8B | 135 BPM | ||
| Deux mélodies, Op. 46: No. 2, Clair de lune | Dilyana Georgieva, Galina Apostolova | G Major | 2 | 9B | 86 BPM | ||
| Symphonic Suite based on Rimsky-Korsakov’s Scheherazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | G Major | 5 | 9B | 95 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | E Minor | 0 | 9A | 82 BPM |