Alfredo Belusi's 'A Las Siete En El Café' had a release date set for April 2, 1971. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. A Las Siete En El Café's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 12 in Alfredo Belusi con Orquesta Osvaldo Requena by Alfredo Belusi. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. Based on our statistics, A Las Siete En El Café's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of A Las Siete En El Café by Alfredo Belusi is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Luna de Fuego | TITANES RM | D♭ Major | 3 | 3B | 107 BPM | ||
| Tres Esquinas | Angel D'Agostino, Ángel Vargas | D♭ Major | 3 | 3B | 107 BPM | ||
| Que nunca me falte | Ricardo Tanturi y Enrique Campos | D♭ Minor | 3 | 12A | 130 BPM | ||
| Tormenta | Francisco Lomuto y su Orquesta Típica | B Minor | 4 | 10A | 132 BPM | ||
| Recuerdo | Osvaldo Pugliese y su Orquesta | G Minor | 3 | 6A | 125 BPM | ||
| Milonga del 38 | Miguel Villasboas y Su Orquesta Típica | F Minor | 6 | 4A | 107 BPM | ||
| Al compras del corazon | Domingo Federico | G Major | 3 | 9B | 121 BPM | ||
| Tus Labios Me Dirán | Pablo Valle Sexteto | C Major | 2 | 8B | 123 BPM | ||
| El Conventillo | Aníbal Troilo Y Su Orquesta Típica | E Minor | 4 | 9A | 104 BPM | ||
| Yo No Sé Que Me Han Hecho Tus Ojos - Versión Alternativa | Ada Falcón | D♭ Major | 3 | 3B | 107 BPM | ||
| Derrotado | Roberto Florio, Orquesta Carlos di Sarli | A Major | 4 | 11B | 112 BPM | ||
| Bandoneón Arrabalero | Aníbal Troilo | E♭ Minor | 4 | 2A | 87 BPM | ||
| Madreselva | Rosanna Falasca | A Major | 3 | 11B | 84 BPM | ||
| Sueño De Barrilete | Eladia Blázquez | G Minor | 4 | 6A | 94 BPM | ||
| Viejo Tortoni | Eladia Blazquez | A Major | 4 | 11B | 108 BPM | ||
| Por La Vuelta | Floreal Ruiz | C Major | 5 | 8B | 117 BPM | ||
| Cimarrón de ausencia - Estilo Aníbal Troilo | SEXTETO VISCERAL | E Minor | 5 | 9A | 106 BPM | ||
| Malvon | Ricardo Tanturi y Enrique Campos | D Major | 4 | 10B | 124 BPM | ||
| En la noche de tus ojos | Orquesta Típica Francisco Canaro, Guillermo Rico | F♯ Major | 3 | 2B | 133 BPM | ||
| Ríe Payaso | Orquesta Silbando | C Major | 5 | 8B | 143 BPM | ||
| Moneda de Cobre | Argentino Ledesma, Héctor Varela | F Minor | 5 | 4A | 126 BPM | ||
| Mi Noche Triste | Alfredo de Angelis Y Su Orquesta Tipica, Juan Carlos Godoy | D Minor | 4 | 7A | 115 BPM | ||
| Eras Como La Flor | Juan D'Arienzo y su Orquesta Típica | E Minor | 4 | 9A | 126 BPM | ||
| Naranjo En Flor | Raúl Lavié | G Major | 3 | 9B | 95 BPM | ||
| Pucherito de gallina | Rodrigo de la Serna y El Yotivenco | F♯ Major | 2 | 2B | 125 BPM |