Rene Marie's 'Moonray' had a release date set for 2001. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vertigo by Rene Marie. The song's track number on the album is #9 out of 11 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Moonray is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Moonray by Rene Marie has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Moonray being at 104 BPM, the half-time would be 52 BPM with a double-time of 208 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Heart Belongs Daddy | Alexis Cole | C Major | 3 | 8B | 124 BPM | ||
| Sun In The Morning | Soesja Citroen, Michael Moore | F Minor | 2 | 4A | 100 BPM | ||
| Last Call In C Minor | Behnita | A♭ Major | 1 | 4B | 175 BPM | ||
| Good Morning Good Day | Timeless Tone | G Minor | 2 | 6A | 116 BPM | ||
| Why I Sing | Eugenie Jones | A Minor | 3 | 8A | 74 BPM | ||
| Miles to Go | Clover Keys Music | B♭ Major | 3 | 6B | 103 BPM | ||
| Bessie's Advice | Eric Bibb, Rory Block, Maria Muldaur | G Major | 9 | 9B | 174 BPM | ||
| Mississippi Goddam | Ulysses Owens Jr., Rene Marie | G Major | 6 | 9B | 165 BPM | ||
| Someone Special | Italian Social Club, Glen Lucas, Kanticos | B♭ Minor | 2 | 3A | 173 BPM | ||
| Confession / The Other Woman | Veronica Swift | G Minor | 1 | 6A | 78 BPM | ||
| The Blues Are Out of Town | Laverne Butler | G Major | 4 | 9B | 135 BPM | ||
| Indian Summer | Charlie Byrd | F Major | 2 | 7B | 59 BPM | ||
| Tipsy Song ("Eine Nacht in Venedig", Op. 117) (feat. Marika Lichter) | Simone Kopmajer, Marika Lichter | B♭ Major | 2 | 6B | 127 BPM | ||
| On the Sunny Side of the Street | Roberta Gambarini | D♭ Major | 4 | 3B | 120 BPM | ||
| Upstairs by a Chinese Lamp | Esperanza Spalding, Wayne Shorter, Billy Childs | G Major | 3 | 9B | 173 BPM | ||
| Gravy Waltz | Anaïs Reno, Peter Bernstein | A Minor | 3 | 8A | 93 BPM | ||
| No More Blues | Roberta Gambarini | B♭ Major | 1 | 6B | 140 BPM | ||
| Let´s Do It | Rene Marie | B♭ Minor | 3 | 3A | 93 BPM | ||
| Traces in the Sand | Natalia M. King | A♭ Minor | 3 | 1A | 105 BPM | ||
| I Am What I Am | Veronica Swift | D Major | 7 | 10B | 204 BPM | ||
| Piazza sul Ponte | walkin around jazz | F Major | 2 | 7B | 81 BPM | ||
| Here's That Rainy Day | Gonzalo Rubalcaba | G Major | 0 | 9B | 87 BPM | ||
| On and On | Jeff Hamilton Trio | C Major | 2 | 8B | 84 BPM | ||
| Don't Touch My Tomatoes | Imani Winds, Rene Marie | G Major | 3 | 9B | 100 BPM | ||
| Old Country | Tierney Sutton | B♭ Minor | 1 | 3A | 61 BPM |