What is the music key for Traditional: Go Down Moses by Harry Burleigh, Traditional, Paul Robeson?

The music key for Traditional: Go Down Moses is F Minor or a camelot key of 4A.

Traditional: Go Down Moses by Harry Burleigh, Traditional, Paul Robeson Song Details

Harry Burleigh, Traditional, Paul Robeson's 'Traditional: Go Down Moses' had a release date set for July 18, 2008. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Traditional: Go Down Moses's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 170 in the song's album "Paul Robeson: The Complete EMI Sessions 1928-1939". In this album, this song's track order is #4. Traditional: Go Down Moses is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Traditional: Go Down Moses by Harry Burleigh, Traditional, Paul Robeson having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Music Key

This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -16.218 dB
Acousticness: 100%
Danceability: 23%
Energy: 8%
Instrumentalness: 0%
Liveness: 18%
Loudness: 73%
Speechiness: 3%
Valence: 27%

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