On January 1, 2024, the song "Rama Rama Ratte Ratte - Ram Bhajan" was released by Ritesh Mishra. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Rama Rama Ratte Ratte Biti Re Umariya only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from India. In terms of popularity, Rama Rama Ratte Ratte - Ram Bhajan is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Rama Rama Ratte Ratte - Ram Bhajan by Ritesh Mishra having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Teri Mand Mand Muskaniya Pe Balihar Raghav Ji | Chetna | A♭ Minor | 5 | 1A | 138 BPM | ||
| Shri Gopal Chalisa | Shailendra Bharti | E Minor | 6 | 9A | 78 BPM | ||
| God Is Formless and Is Everywhere | Veer Manpreet Singh | C Minor | 5 | 5A | 91 BPM | ||
| Lelo Ri Lelo Maiya | Reema Noopur | A Major | 5 | 11B | 156 BPM | ||
| Pratidin Tulsi Maiya Se Kare Ye Prarthna | Sur Shyam Gaushala Rajendra Das ji Maharaj | B♭ Major | 3 | 6B | 124 BPM | ||
| Mere Sai Pyare | Bhai Ajay | F♯ Minor | 5 | 11A | 85 BPM | ||
| Aarti Omjai Shiv Om | Pramita | A♭ Major | 5 | 4B | 105 BPM | ||
| Bhala Kisi Ka Kar Na Sako To Bura Kisi Ka Mat Karna | Gyanendra Sharma | B♭ Minor | 5 | 3A | 137 BPM | ||
| Mujhe Bachao Ram | Ritesh Mishra | E Major | 7 | 12B | 84 BPM | ||
| Albeli Swamini Radha | Bhaiya Kishan Das | D♭ Minor | 7 | 12A | 78 BPM | ||
| Tu Mera Rakha Sabni Thai | Hita Ambrish | E Minor | 6 | 9A | 111 BPM | ||
| Madhyanh Aarti | Pramod Medhi | G Minor | 4 | 6A | 74 BPM | ||
| Bilam Ja Na Re | Bhupendra Sahu, Rinky Dewangan, Sindhu Soan, Suman Tandon | D♭ Major | 9 | 3B | 140 BPM | ||
| Ghunghat Ra Bairy Ho Gaye Bundeli Deshi Rai Khyal | Raju Patel, Dhaniram Sen | F Minor | 9 | 4A | 122 BPM | ||
| Sare Bolo Dhan Guru Ji | Nangli Darbar | E♭ Minor | 6 | 2A | 79 BPM | ||
| Shailputri Mata Aarti | Tripti Shakya | D♭ Minor | 8 | 12A | 96 BPM | ||
| Thodi Si Betabi | Ridam Kumar, Suman | A Major | 5 | 11B | 154 BPM | ||
| Meri Mand Mand | Nikunj Kamra | D♭ Major | 8 | 3B | 123 BPM | ||
| Aaye Hum Sharan Tumhari Maa Rakho Laaj | Deshraj Narvariya, Geeta, Vandana Dubey | F♯ Major | 10 | 2B | 154 BPM | ||
| Tu Radhe Radhe Gaale | Rajesh Goswami | D♭ Minor | 5 | 12A | 120 BPM | ||
| सहस बदन तुम्हरो जस गावैं। | Rekha Rao, Ritesh Mishra | C Major | 7 | 8B | 90 BPM | ||
| Mere Baba Tera Brahmakumaris | BK Asmita, B.K. Sarojini | E Major | 9 | 12B | 87 BPM | ||
| Sampurn Sunder Kand by Ritesh Mishra | Ritesh Mishra | D Major | 5 | 10B | 135 BPM | ||
| Payoji Maine Ram Ratan Dhan Payo ( Male Version ) | Ritesh Mishra | E Major | 5 | 12B | 150 BPM | ||
| Shyama Tere Charno Ki | Pooja Shrivastav | D Minor | 5 | 7A | 96 BPM |