"Constellations" by Rob Simonsen had its release date on April 21, 2015. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Constellations's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "The Age of Adaline (Original Motion Picture Score)". In this album, this song's track order is #12. Constellations is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Constellations by Rob Simonsen having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Growing Up Haywood | Michael Abels | A Minor | 3 | 8A | 104 BPM | ||
| Don't Be What They Made You | Marco Beltrami | F Major | 0 | 7B | 140 BPM | ||
| Cloudless Skies | Rob Simonsen | F Minor | 3 | 4A | 90 BPM | ||
| Montage | Fernando Velázquez | A Major | 0 | 11B | 68 BPM | ||
| Flare Gun | Rob Simonsen | F♯ Major | 1 | 2B | 143 BPM | ||
| The Hero in Us All (2025 Version) | Let My Life Be Last | B Minor | 7 | 10A | 140 BPM | ||
| Martin David | Matteo Zingales, Michael Lira, Andrew Lancaster | A Major | 0 | 11B | 89 BPM | ||
| Still | SΛMUΞL | D Major | 2 | 10B | 136 BPM | ||
| Thesaurus Tuus | Daniel Hart | D Major | 2 | 10B | 60 BPM | ||
| Pray For Us | Chris Bacon | G Minor | 2 | 6A | 62 BPM | ||
| Jakob & Bella Escape | Rachel Portman, Jon Ehrlich | G Minor | 1 | 6A | 82 BPM | ||
| A Strange Shape | Kevin Smuts | B Major | 1 | 1B | 110 BPM | ||
| Sneaking Out / Beating Up Car | Nathaniel Walcott | F♯ Major | 2 | 2B | 130 BPM | ||
| You Can Hear It When You're Quiet (Finale Suite) | Alexis Grapsas | C Major | 0 | 8B | 73 BPM | ||
| Main Titles - The Crowded Room | Trevor Gureckis | F Minor | 4 | 4A | 133 BPM | ||
| Norah's Theme | Marco Beltrami, Brandon Roberts | D Minor | 1 | 7A | 170 BPM | ||
| Two Hearts | Atticus Ross, Leopold Ross, Nick Chuba | A♭ Minor | 1 | 1A | 173 BPM | ||
| No Ball Games (Original Motion Picture Soundtrack) | Patrick Jonsson | C Minor | 1 | 5A | 79 BPM | ||
| Eclat | CHLOE (Thévenin) | D Minor | 3 | 7A | 120 BPM | ||
| After the Play | Dan Romer | D Major | 0 | 10B | 78 BPM | ||
| First Night Alone | Lovett | A Minor | 0 | 8A | 74 BPM | ||
| Mother’s Tears | Anne Nikitin | C Minor | 1 | 5A | 138 BPM | ||
| Like a Bird | Jon Ekstrand | A Minor | 0 | 8A | 128 BPM | ||
| Decepciones | Verdes Atardeceres | D Major | 3 | 10B | 200 BPM | ||
| Daddy | Stephen Rennicks | A Major | 0 | 11B | 179 BPM |