Lydia Kakabadse, Sound Collective's 'Recitativo arioso + Variations: II. Var. 1' had a release date set for February 17, 2017. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Recitativo arioso + Variations: II. Var. 1's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lydia Kakabadse, Sound Collective's "Lydia Kakabadse: Concertato" album is number 19 out of 20. On top of that, United Kingdom appears to be the country where this track was created. Recitativo arioso + Variations: II. Var. 1 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Recitativo arioso + Variations: II. Var. 1 by Lydia Kakabadse, Sound Collective to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miserere: Tunc imponent | Gregorio Allegri, Chorus Sine Nomine, Michael Krenn, Johannes Hiemetsberger | C Minor | 0 | 5A | 138 BPM | ||
| Could We Start Again: Jesus Christ Suprestar | Prague Cello Quartet | D Major | 1 | 10B | 63 BPM | ||
| The Phantom Listeners: Epilogue | Lydia Kakabadse, Kit Hesketh-Harvey, Emma Brain-Gabbott, Clare McCaldin, Michael Bundy, Madeleine Easton, Sarah-Jane Bradley, Caroline Dale, Tim Amherst, Nigel Shipway, Ben Fullbrook, Christian Wilson, George Vass | D Major | 0 | 10B | 106 BPM | ||
| Cello Sonata No. 3 in C Major: III. Amoroso | Alessandro Scarlatti, Guadalupe López-Íñiguez, Markku Luolajan-Mikkola, Olli Hyyrynen | G Major | 0 | 9B | 105 BPM | ||
| Andante religioso, d'après un Thème hébraïque | Fernand Halphen, Christophe Pantillon, Wolfgang Sauseng | G Minor | 1 | 6A | 166 BPM | ||
| Motetti e sonate concertati, Op. 6: Sonata prima à 2 | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Passemezzo … Nei boschi del Re | Paolo Pandolfo, Andrea de Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | D♭ Minor | 2 | 12A | 91 BPM | ||
| Odyssey: I. Archaic | Lydia Kakabadse, Cecily Beer, The Choir of Royal Holloway, Rupert Gough | D♭ Major | 1 | 3B | 118 BPM | ||
| The Dreams & Prayers of Isaac the Blind: Postlude | Osvaldo Golijov, Emil Jonason, Vamlingbo Quartet | N/A | N/A | N/A | 0 BPM | ||
| Salomea | Jasmin Reuter, World Chamber Orchestra | A♭ Major | 2 | 4B | 122 BPM | ||
| Winter (L’inverno), RV 297: II. Largo | James Oesi, Mike Fentross, Mark Haanstra | D Major | 1 | 10B | 112 BPM | ||
| Desolate Nights | Orithia | D♭ Major | 1 | 3B | 101 BPM | ||
| Theme from “Schindler’s List” | Cocomi, 東 亮汰, 田原綾子, Haruma Sato | D Minor | 0 | 7A | 92 BPM | ||
| Pièce en forme de Habanera, M. 8 | Maurice Ravel, Slava Grigoryan, Sharon Grigoryan | G Major | 1 | 9B | 97 BPM | ||
| Julian Cochran - Prelude No. 14 / “Hendese" for String Quartet or String Orchestra (Shoven Quartet) | Julian Cochran, Shoven Quartet | C Minor | 2 | 5A | 107 BPM | ||
| Bayaty | G. I. Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | A Minor | 0 | 8A | 73 BPM | ||
| The Mermaid: II. Danger Lurks | Lydia Kakabadse, Kit Hesketh-Harvey, Clare McCaldin, Madeleine Easton, Sarah-Jane Bradley, Bozidar Vukotic, Ben Griffiths, Christian Wilson, George Vass | D Major | 0 | 10B | 106 BPM | ||
| ロマンス | G. ゴルターマン, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) | B♭ Minor | 1 | 3A | 79 BPM | ||
| Irish Isles Suite: I. Achill Island | Ailbhe McDonagh, RTE Concert Orchestra, David Brophy | A Minor | 1 | 8A | 72 BPM | ||
| Emily — No Prisoner Be: No. 9, I Felt a Funeral | Kevin Puts, Time For Three, Joyce DiDonato | A♭ Major | 1 | 4B | 69 BPM | ||
| Sicilienne in E-Flat Major (Arr. T. Miteva for Cello & Chamber Orchestra) | Maria Theresia von Paradis, Teodora Miteva, World Chamber Orchestra | F Minor | 0 | 4A | 122 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| Love Sleeping Alone | Ria Mbanefo | G Minor | 1 | 6A | 134 BPM | ||
| Materna Requiem: 1. Introit | Rebecca Dale, Louise Alder, Trystan, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | A Minor | 1 | 8A | 109 BPM | ||
| Trois Strophes sur le nom de Sacher: I. Un poco indeciso | Henri Dutilleux, Christian-Pierre La Marca | B♭ Major | 1 | 6B | 83 BPM |