"Passenger Side" by John Paesano had its release date on August 28, 2015. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Passenger Side's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 15 in Daredevil by John Paesano. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Passenger Side's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Passenger Side by John Paesano is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hell Hath No Fury | Rupert Gregson-Williams | B Minor | 5 | 10A | 90 BPM | ||
| Daredevil Theme | Graeme Revell | D Major | 3 | 10B | 150 BPM | ||
| Read To Me | Jeff Beal | A Minor | 2 | 8A | 170 BPM | ||
| Lost - Kara | Philip Sheppard | D♭ Major | 4 | 3B | 126 BPM | ||
| Filthy Dog | Mark Korven | E♭ Minor | 4 | 2A | 134 BPM | ||
| Collision | Marc Streitenfeld | D♭ Minor | 3 | 12A | 75 BPM | ||
| Stick and Ellie | John Paesano | G Major | 5 | 9B | 81 BPM | ||
| The Power Plant | Alexandre Desplat | D♭ Major | 2 | 3B | 102 BPM | ||
| Take Heed Young Heathen | Dan Romer | A♭ Major | 0 | 4B | 69 BPM | ||
| Throw Hell At Him | Rupert Gregson-Williams | E Minor | 0 | 9A | 109 BPM | ||
| Picket Lines | Alexandre Desplat | D♭ Major | 1 | 3B | 172 BPM | ||
| Elevated Hubbies | John Paesano | F Major | 1 | 7B | 67 BPM | ||
| The Attack | Roque Baños | F Minor | 3 | 4A | 82 BPM | ||
| Chip Disorders | Kevin Kiner | D♭ Major | 6 | 3B | 110 BPM | ||
| Alchemax Arrival | Daniel Pemberton | A Major | 3 | 11B | 83 BPM | ||
| Area 51 | Alexandre Desplat | D♭ Major | 0 | 3B | 114 BPM | ||
| Infected | Marc Streitenfeld, Ben Foster, Metro Voices, The Bach Choir, Apollo Voices | F♯ Minor | 4 | 11A | 110 BPM | ||
| A Political Sickness | Ryan Amon | D♭ Major | 7 | 3B | 100 BPM | ||
| Aunt May and the Spider-Shed | Daniel Pemberton | D Minor | 3 | 7A | 96 BPM | ||
| Eyes Glowing | Marc Streitenfeld | A Major | 2 | 11B | 69 BPM | ||
| Meet Markus - Connor | Nima Fakhrara | D Minor | 9 | 7A | 83 BPM | ||
| BCR | Dominic Lewis | A Major | 3 | 11B | 144 BPM | ||
| Flat Assault | John Powell, David Buckley | D♭ Major | 4 | 3B | 94 BPM | ||
| Do What You Were Made For | John Ottman, Jeffrey Schindler, American Federation of Musicians | D♭ Major | 4 | 3B | 149 BPM | ||
| The Only Remnants | Dan Romer | A♭ Major | 6 | 4B | 120 BPM |