Chase Matthew's 'WAITING ON YOU TO CALL' had a release date set for February 21, 2025. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. WAITING ON YOU TO CALL's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 13 in CHASE by Chase Matthew. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, WAITING ON YOU TO CALL's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of WAITING ON YOU TO CALL by Chase Matthew is Allegro (fast, quick, and bright), since this song has a tempo of 156 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Something Else | ROTUNDO | F Minor | 7 | 4A | 124 BPM | ||
| Chevy S10 | Trey Lewis | E♭ Major | 8 | 5B | 76 BPM | ||
| Good Trucks Rust | Clayton Mullen | D♭ Major | 4 | 3B | 142 BPM | ||
| Hole In The Wall | Zach John King | F♯ Major | 6 | 2B | 144 BPM | ||
| How Do You Miss Me (feat. Alexandra Kay) | Dallas Smith, Alexandra Kay | D♭ Major | 9 | 3B | 164 BPM | ||
| Something to You | McCoy Moore | B Major | 9 | 1B | 142 BPM | ||
| Liquor & Cigarettes | LECADE | E♭ Major | 8 | 5B | 138 BPM | ||
| Runnin' Right Back | Cole Gibbs | E Minor | 6 | 9A | 138 BPM | ||
| OIL MONEY | Graham Barham | A Minor | 9 | 8A | 144 BPM | ||
| In Park | Redferrin | A Minor | 6 | 8A | 132 BPM | ||
| BREAKIN’ DOWN | Graham Barham | F♯ Major | 7 | 2B | 84 BPM | ||
| See It for Myself | Zach John King | G Minor | 8 | 6A | 152 BPM | ||
| Spend Some Time There | Brian Kelley | B Major | 7 | 1B | 76 BPM | ||
| Bed We Made | LECADE | F Major | 8 | 7B | 120 BPM | ||
| Love Never Looked Like Us | Josh Ross | G Major | 4 | 9B | 129 BPM | ||
| Scars to Prove It | Trey Lewis | D Major | 9 | 10B | 101 BPM | ||
| LIE TO ME | Graham Barham | A Minor | 9 | 8A | 144 BPM | ||
| Here Lies a Girl | Lakeview | G Major | 8 | 9B | 96 BPM | ||
| Relapse | Warren Zeiders | F♯ Minor | 7 | 11A | 150 BPM | ||
| That Fire | Noah Hicks | F♯ Major | 9 | 2B | 75 BPM | ||
| Damn Good Country Song | Corey Kent | D Major | 4 | 10B | 108 BPM | ||
| Withdrawal | Warren Zeiders | B Minor | 8 | 10A | 156 BPM | ||
| Every Word I Say | Chase Matthew | E♭ Major | 9 | 5B | 160 BPM | ||
| One That You Want | Troy Cartwright | E Major | 8 | 12B | 120 BPM | ||
| End Of A Bottle | Kenna Elpers, Jagger Whitaker | D Major | 7 | 10B | 144 BPM |