Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi's ' "Capriccio Espagnol, Op. 34: III. Alborada" was released on its scheduled release date, January 1, 1988. With This song being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Rimsky-Korsakov: The Complete Symphonies; Russian Easter; Capriccio es". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. Based on our statistics, Capriccio Espagnol, Op. 34: III. Alborada's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Capriccio Espagnol, Op. 34: III. Alborada by Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
| Scheherazade, Op. 35: III. Andantino quasi allegretto "The Young Prince and The Young Princess" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 97 BPM | ||
| L'Arlésienne Suite No. 2, WD 28: 3. Menuet | Georges Bizet, Orchestre de Paris, Semyon Bychkov | E♭ Major | 0 | 5B | 78 BPM | ||
| The Love for Three Oranges Op. 33: Marche | Sergei Prokofiev, Kent Nagano, Orchestre De L'Opéra National De Lyon | A♭ Major | 4 | 4B | 128 BPM | ||
| Feste romane (Roman Festivals): IV. La Befana | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | D Major | 6 | 10B | 104 BPM | ||
| The Red Poppy: Russian Sailors' Dance | Reinhold Moritzewitsch Glière, Eugene Ormandy, Philadelphia Orchestra | A Minor | 5 | 8A | 88 BPM | ||
| Finlandia, Op. 26 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM | ||
| Symphony No. 2: 2. Allegro risoluto | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 3 | 4B | 101 BPM | ||
| Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
| Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
| Vaughan Williams: English Folk Song Suite | Ralph Vaughan Williams, The Central Band Of The R.A.F., Wing Commander Eric Banks | F Minor | 3 | 4A | 121 BPM | ||
| Spanish Dance | Dmitri Shostakovich, Plano East Senior High Chamber Orchestra, Betsy Thomas | D Major | 3 | 10B | 76 BPM | ||
| Scheherazade, Op. 35: IV. Festival at Baghdad – The Sea – Shipwreck. Allegro molto | Nikolai Rimsky-Korsakov, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 79 BPM | ||
| Wagner: Lohengrin, Act III: Prelude | Richard Wagner, Mariss Jansons, Oslo Philharmonic Orchestra | G Major | 3 | 9B | 85 BPM | ||
| Hungarian Dance No.1 in G minor - Orchestrated by Brahms: Allegro molto | Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim | G Minor | 2 | 6A | 65 BPM | ||
| Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Minor | 4 | 4A | 78 BPM | ||
| Carnival Overture, Op. 92 | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 145 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 7 in F Major. Allegretto (Orch. Schmeling) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 81 BPM | ||
| Rund Um Die Liebe: Rund Um Die Liebe, Ouverture | Oscar Straus, Budapest Strauss Symphony Orchestra | A Major | 3 | 11B | 73 BPM | ||
| The Firebird, Tableau I: Infernal Dance of Kastchei and His Subjects Under the Firebird's Magic Spell | Igor Stravinsky, Philharmonia Orchestra, Robert Craft | F♯ Major | 4 | 2B | 156 BPM | ||
| The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
| 8 Slavonic Dances, Op. 46, B.83: No. 6 in D Major (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic, Jiří Bělohlávek | D Major | 1 | 10B | 110 BPM | ||
| Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
| Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo Philharmonic Orchestra, Oslo-Filharmonien | D Major | 3 | 10B | 169 BPM | ||
| Respighi: Pini di Roma: II. Pini presso una catacomba (Lento - Più mosso) | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | B Minor | 0 | 10A | 74 BPM |