Sammy Burdson's ' "Centurion (B)" was released on its scheduled release date, January 1, 1975. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 22 out of 26 in Background Action by Sammy Burdson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Centurion (B)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Centurion (B) by Sammy Burdson is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| On My Knees | Marc Ezenge | D♭ Major | 1 | 3B | 77 BPM | ||
| actual | maxflow | D♭ Major | 1 | 3B | 57 BPM | ||
| Overture And Kidnapping - From "Murder On The Orient Express" Soundtrack | Richard Rodney Bennett | D♭ Major | 1 | 3B | 116 BPM | ||
| That's Fancy 3 - Remastered | Sammy Burdson | C Major | 1 | 8B | 118 BPM | ||
| Pensiveness | Madd at the World | C Major | 5 | 8B | 178 BPM | ||
| Cop's Blood (Titles) | Alessandro Alessandroni | C Major | 7 | 8B | 119 BPM | ||
| Faith Over Fear | Marc Ezenge | F Minor | 1 | 4A | 150 BPM | ||
| Sunday With Soul | Sam Spence | F Major | 7 | 7B | 178 BPM | ||
| Main Street | Alec Gould | G Major | 2 | 9B | 124 BPM | ||
| Wreckage | Jean-Claude Madonne, Sammy Burdson, Geoff Whitehorn, Stephan North | E♭ Major | 5 | 5B | 110 BPM | ||
| The Great Advance | Francis Monkman | G Major | 6 | 9B | 86 BPM | ||
| We’ll Be Right Back :) | Whatever Heaven | G Major | 1 | 9B | 124 BPM | ||
| Black Nautilus Synth | Yung Fato | A Major | 4 | 11B | 120 BPM | ||
| Giants of Steam Finale | Ron Grainer | A♭ Major | 7 | 4B | 114 BPM | ||
| Acquital | David Lindup | D Major | 2 | 10B | 102 BPM | ||
| Workaday World | Jack Beaver | A♭ Major | 6 | 4B | 156 BPM | ||
| Fast Skateboard | Joris Zan | A♭ Major | 4 | 4B | 103 BPM | ||
| Slow Reactor 1 - Remastered | Sammy Burdson | C Major | 6 | 8B | 100 BPM | ||
| Cycle Race - Remastered | Sammy Burdson, Larry Robbins | C Major | 7 | 8B | 109 BPM | ||
| Flying Messenger | Oliver Armstrong | D Minor | 0 | 7A | 144 BPM | ||
| Palance | Alessandro Alessandroni | D Major | 2 | 10B | 117 BPM | ||
| Pescatrici, perle e pescecani | Piero Umiliani | F♯ Major | 3 | 2B | 97 BPM | ||
| No Condemnation | Marc Ezenge | D♭ Major | 1 | 3B | 133 BPM | ||
| Psycho-Suite - Extrait / From "Psycho" | Paul Bateman, The City of Prague Philharmonic Orchestra | F Major | 3 | 7B | 78 BPM | ||
| Adullam | Vessels Of Judah | D♭ Major | 5 | 3B | 98 BPM |