- BPM
- 73
- Key
- E♭ Major
- Camelot
- 5B
So In Love (Reprise) by Thomas Allen Song Details
"So In Love (Reprise)" by Thomas Allen had its release date on June 18, 1996. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. So In Love (Reprise)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Original Studio Cast's "Kiss Me, Kate!: Complete Recording" album is number 6 out of 24. On top of that, United Kingdom appears to be the country where this track was created. So In Love (Reprise) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of So In Love (Reprise) by Thomas Allen to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Music Key
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -15.957 dB
- Acousticness
- 96%
- Danceability
- 26%
- Energy
- 10%
- Instrumentalness
- 0%
- Liveness
- 24%
- Loudness
- 73%
- Speechiness
- 4%
- Valence
- 18%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Carmen / Act 1: "Avec la garde montante" | Georges Bizet, Thomas Allen, Pierre Thau, Plácido Domingo, Haberdasher's Aske's School Boy's Choir, John Alldis Choir, London Philharmonic Orchestra, Sir Georg Solti | F♯ Minor | 0 | 11A | 96 BPM | |
 | Le Nozze di Figaro, Act 2: Vieni, cara Susanna | Wolfgang Amadeus Mozart, Thomas Allen, Riccardo Muti, Wiener Philharmoniker | C Major | 1 | 8B | 88 BPM | |
 | Il barbiere di Siviglia, Act II: No. 14, Aria. Il vecchiotto cerca moglie | Gioachino Rossini, Gabriele Sima, Chamber Orchestra of Europe, Claudio Abbado | F Major | 1 | 7B | 128 BPM | |
 | Rossini: Petite messe solennelle: XI. Et resurrexit | Gioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Minor | 1 | 3A | 85 BPM | |
 | Elijah, Op.70, MWV A25 / Part 1: "Call him louder! He heareth not" | Felix Mendelssohn, Thomas Allen, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | F♯ Minor | 2 | 11A | 107 BPM | |
 | Peter Grimes Op. 33, ACT 1 Scene 1: Hi! Give us a hand (Peter/Boles/Balstrode/Ned/Auntie/Hobson) | Benjamin Britten, Anthony Rolfe Johnson, Thomas Allen, Patricia Payne, Stuart Kale, Simon Keenlyside, David Wilson-Johnson, Bernard Haitink, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden | A Minor | 1 | 8A | 95 BPM | |
 | Petite messe solennelle: Credo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | B Major | 1 | 1B | 135 BPM | |
 | Brahms / Transcr. Isbin: 5 Lieder, Op. 49: No. 4, Wiegenlied | Johannes Brahms, Thomas Allen, Sharon Isbin | D Major | 1 | 10B | 156 BPM | |
 | Così fan tutte, K.588 / Act 1: "La mia Dorabella" - "Fuor la spada" | Wolfgang Amadeus Mozart, Francisco Araiza, Thomas Allen, José van Dam, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 65 BPM | |
| Elijah, Op.70, MWV A25 / Part 1: "What have I to do with thee" | Felix Mendelssohn, Yvonne Kenny, Thomas Allen, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 169 BPM | |
 | Werther / Act 3: "Werther est de retour" | Jules Massenet, Thomas Allen, Frederica von Stade, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | G Minor | 1 | 6A | 79 BPM | |
 | I puritani, Act II: Vien, diletto, è in ciel la luna | Vincenzo Bellini, Dame Joan Sutherland, Piero Cappuccilli, London Symphony Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 127 BPM | |
 | Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Magda, Yvette, Bianca, Prunier, Lisette, Suzy, Rambaldo, Périchaud, Gobin, Crébillon) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | B♭ Minor | 8 | 3A | 126 BPM | |
 | Eugene Onegin, Op. 24, TH.5 / Act 2: "Vot tak syurpriz!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Jürgen Hartfiel, MDR Leipzig Radio Chorus, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | |
| Così fan tutte, K.588 / Act 1: "Di scrivermi ogni giorno" - "Bella vita militar!" - "Dove son?" | Wolfgang Amadeus Mozart, Karita Mattila, Anne Sofie von Otter, Thomas Allen, Francisco Araiza, José van Dam, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 170 BPM | |
 | Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | |
| Elijah, Op.70, MWV A25 / Part 2: "The Lord hath exalted thee" | Felix Mendelssohn, Thomas Allen, Jean Rigby, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 1 | 7A | 129 BPM | |
 | La fille du régiment / Act 2: "Tous les trois réunis, quel plaisir mes amis!" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 2 | 10B | 95 BPM | |
 | The Cunning Little Vixen, Act I. Sharp-Ears as a Politician: Come on then, don't be frightened (Chief Hen, Forester's Wife, Vixen, | Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Lillian Watson, Thomas Allen, Gillian Knight, Glenys Groves | A♭ Major | 3 | 4B | 66 BPM | |
| Carmen / Act 1: "Sur la place, chacun passe" | Georges Bizet, Thomas Allen, John Alldis Choir, London Philharmonic Orchestra, Sir Georg Solti | B♭ Minor | 1 | 3A | 85 BPM | |
 | La Clemenza Di Tito, Kv 621, Atto Primo : Aria Vitellia: Deh Se Piacer Mi Vuoi | Jed Wentz, André Post, Wolfgang Amadeus Mozart, Musica ad Rhenum, Italian And Vocal Coach, Arts Music Recording, Rotterdam, Vocal Ensemble Cocu, Cécile Van De Sant, Eric Hoeprich, Servilia, Tito Vespasiano, Claudia Patacca, Michael Borgstede, Nicola Wemys | C Major | 2 | 8B | 74 BPM | |
| Le Nozze di Figaro, Act 1: Or bene; ascolta e taci! | Wolfgang Amadeus Mozart, Thomas Allen, Riccardo Muti, Wiener Philharmoniker | F Major | 1 | 7B | 111 BPM | |
 | Idomeneo, K. 366, Atto I Scena 6: No. 4, Aria "Tutte nel cor vi sento" (Elettra) | Wolfgang Amadeus Mozart, René Jacobs, Freiburger Barockorchester, Alexandrina Pendatchanska | F Major | 0 | 7B | 88 BPM | |
 | Lucrezia Borgia: Prologue: Com'e bello! quale incanto (Lucrezia, Don Alfonso, Rustighello) | Gaetano Donizetti, Dimitra Theodossiou, Roberto De Biasio, Enrico Giuseppe Iori, Nidia Palacios, Luigi Albani, Giuseppe Di Paola, Mauro Corna, Livio Scarpellini, Giovanni Manfrin, Luca Dall'Amico, Dario Giorgele, Bergamo Musica Festival Chorus, Bergamo Mu | E♭ Major | 0 | 5B | 88 BPM | |
 | Le nozze di Figaro, K. 492, Act III: No. 20, E Susanna non vien! – Dove sono i bei momenti – Recit. Io vi dico, signor | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Giorgio Tadeo, Thomas Allen, London Philharmonic Orchestra, Sir Georg Solti | C Major | 1 | 8B | 126 BPM |
- ISRC
- GBDGA0101143
- Label
- L-M Records/RCA Records