Paul Metzger's ' "Emel" was released on its scheduled release date, April 17, 2009. This song appears to be safe for all ages as it is not explicit. There are a total of 30 in the song's album "Open Strings". In this album, this song's track order is #27. Furthermore, we believe that the track originated from Germany. Based on our statistics, Emel's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Emel by Paul Metzger having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vom Baum Im Hof | Brannten Schnüre | A Minor | 2 | 8A | 83 BPM | ||
| Il Misterioso Monaco | Marina Frescobaldi | B♭ Major | 1 | 6B | 106 BPM | ||
| Lidia After The Snow | Roberto Musci | E♭ Major | 7 | 5B | 84 BPM | ||
| Y Despues | Golden Brown | G Major | 1 | 9B | 76 BPM | ||
| Gedanken Splitter | Paul Metzger | E Major | 8 | 12B | 141 BPM | ||
| Exilic Excursions | Nathan Salsburg | A Major | 2 | 11B | 136 BPM | ||
| Villages | Hala Strana | F Major | 9 | 7B | 117 BPM | ||
| Dry County Ramble | Andrew Weathers, Hayden Pedigo | D Major | 4 | 10B | 128 BPM | ||
| The End Of Days | Ongoing Slaughter | D Major | 0 | 10B | 82 BPM | ||
| Enamorados | goliva | A Major | 5 | 11B | 129 BPM | ||
| Crocodile Tears | DreamWants | F Minor | 3 | 4A | 80 BPM | ||
| Dawns | Fred Frith | A Major | 2 | 11B | 82 BPM | ||
| Holocaust In Memoriam, Symphony: I. Preludio, Pt. 1 (Live) | Maya Badian, Romanian National Radio Orchestra, Ludovic Bács | G Minor | 3 | 6A | 73 BPM | ||
| Coming Through The Blue | John Astor | D♭ Minor | 4 | 12A | 118 BPM | ||
| March of Mae | Sean P Connaughty, Jason Kesselring, Matt Zaun, Paul Metzger | B Major | 8 | 1B | 145 BPM | ||
| I: Junkyard work next to Dartford Creek, rigging and reeds at Erith Marina, The Bold Benjamin, waterfowl on the Darent | Shovel Dance Collective | F Major | 9 | 7B | 131 BPM | ||
| The Uses of Infinity, Pt. 4 | Paul Metzger | F♯ Minor | 3 | 11A | 101 BPM | ||
| Binnorie | Dorothy Carter | A Minor | 7 | 8A | 83 BPM | ||
| Funk Era Goated | PlannedX | C Major | 4 | 8B | 58 BPM | ||
| II | Oren Ambarchi, Johan Berthling, Andreas Werliin | D Major | 7 | 10B | 154 BPM | ||
| Improbably Music | Roberto Musci | C Major | 3 | 8B | 123 BPM | ||
| Block Ice & Propane | Erik Friedlander | C Major | 3 | 8B | 114 BPM | ||
| Yoo Doo Right | Masaki Batoh | C Major | 4 | 8B | 92 BPM | ||
| Off to See the Hangman, Pt. II | Gwenifer Raymond | A♭ Major | 3 | 4B | 136 BPM | ||
| Departing at Dawn | Jagex Audio Team, Peter Michael Davison | C Major | 1 | 8B | 89 BPM |