"A Camera Lens and Careful Days" by Lydia had its release date on September 27, 2005. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "This December; It's One More and I'm Free". In this album, this song's track order is #9. Based on our statistics, A Camera Lens and Careful Days's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With A Camera Lens and Careful Days by Lydia having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Besos Verdes | Ricky Coll, Lydia, Sebastien | B Minor | 7 | 10A | 122 BPM | ||
| When I Come Home | Anthony Green | F Major | 4 | 7B | 125 BPM | ||
| The Things You Were | Deas Vail | D Major | 7 | 10B | 139 BPM | ||
| Skeleton Key | Margot & The Nuclear So And So's | F♯ Minor | 9 | 11A | 158 BPM | ||
| Direction | Mat Kerekes | B♭ Major | 9 | 6B | 120 BPM | ||
| Milk and Honey | As Tall As Lions | G Major | 8 | 9B | 122 BPM | ||
| Let Me Go | All Get Out | C Major | 3 | 8B | 130 BPM | ||
| Had to Be There | I Can Make A Mess | D Major | 7 | 10B | 100 BPM | ||
| Bedframe | Woven in Hiatus | F♯ Major | 8 | 2B | 125 BPM | ||
| Loti | Eidola | A Minor | 8 | 8A | 117 BPM | ||
| For His Old Branches | The Republic of Wolves | A♭ Minor | 7 | 1A | 134 BPM | ||
| Never Enuff | Mansions | D♭ Major | 3 | 3B | 77 BPM | ||
| We Follow | From Indian Lakes | A Major | 9 | 11B | 153 BPM | ||
| Escape Plan | Tigers Jaw | C Major | 7 | 8B | 103 BPM | ||
| Now The One You Once Loved Is Leaving | Lydia | B Minor | 5 | 10A | 123 BPM | ||
| Connecticut Steps | Into It. Over It. | A Major | 9 | 11B | 133 BPM | ||
| When I Wake | Valleyheart | C Major | 7 | 8B | 146 BPM | ||
| Yer Voice | Mansions | D Major | 5 | 10B | 97 BPM | ||
| Everything Starts Where It Ends | Lovedrug | A♭ Major | 3 | 4B | 116 BPM | ||
| Contrasting Colors | Speak Low | C Major | 5 | 8B | 152 BPM | ||
| Assailants | Lydia | D Major | 9 | 10B | 130 BPM | ||
| In the Middle Of It All | Citizen | D♭ Major | 7 | 3B | 93 BPM | ||
| Hiding | Pianos Become The Teeth | B Major | 9 | 1B | 123 BPM | ||
| Degenerates | I The Mighty | F♯ Major | 8 | 2B | 114 BPM | ||
| Storms | Person L | D Major | 7 | 10B | 102 BPM |