"String Quartet In G, Hob. III:81, Op. 77 No. 1: 2. Adagio" by Joseph Haydn, Emerson String Quartet had its release date on January 1, 2001. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 36 in the song's album "The Haydn Project". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Based on our statistics, String Quartet In G, Hob. III:81, Op. 77 No. 1: 2. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Quartet In G, Hob. III:81, Op. 77 No. 1: 2. Adagio by Joseph Haydn, Emerson String Quartet having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony in D Major, Op. 22 No. 1, P. I:3: III. Menuetto. Vivace | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 0 | 10B | 168 BPM | ||
| Concierto de clarinete : 1. | Juan Pablo Fernández Ramos | B♭ Major | 0 | 6B | 80 BPM | ||
| Symphony in D Major, Op. 18, No. 2: II. Andante | Muzio Clementi, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 0 | 10B | 101 BPM | ||
| Symphony in E-Flat Major, Op. 3, No. 3, W. C3: III. Allegro | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | E♭ Major | 1 | 5B | 106 BPM | ||
| Keyboard Sonata in A Major, Wq. 55/4, H. 186: I. Allegro assai | Carl Philipp Emanuel Bach, Christopher Hinterhuber | A Major | 1 | 11B | 156 BPM | ||
| Clarinet Quartet in E-Flat Major, WoO 5, S78: III. Andante: Andante | Johann Nepomuk Hummel, Mario Finotti, Fabrizio Meloni, Andrea Pecolo, Luca Ranieri, Orchestra Internazionale D'Italia, Diego Dini Ciacci | A♭ Major | 0 | 4B | 79 BPM | ||
| Bach Orchestral Suite No.2 in B Minor, BWV 1076: V. Polonaise | London Conchord Ensemble, Florian Uhlig | B Minor | 1 | 10A | 85 BPM | ||
| Water Music Suite No. 1 in F Major, HWV 348: III. [Hornpipe. Allegro] – Andante – [Allegro da capo] | George Frideric Handel, The English Concert, Trevor Pinnock | E Major | 2 | 12B | 126 BPM | ||
| Cello Concerto No. 1 in G Major: II. Romance. Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 176 BPM | ||
| Symphony in G Major, Op. 3 No. 3, WolS G3: IV. Presto | Johann Stamitz, Musica Viva, Alexander Rudin | D♭ Major | 4 | 3B | 147 BPM | ||
| Streichtrio Nr. 4 in Es-Dur, op. 7: Largo | Wenzel Pichl, Ensemble Agora | B♭ Major | 0 | 6B | 133 BPM | ||
| Overture in B-Flat Major, Op. 8, No. 1: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 0 | 6B | 85 BPM | ||
| Das Waldmädchen: No. 6, Allegretto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 2 | 10B | 139 BPM | ||
| Proserpine: Overture in D Major: III. Allegro | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | D Major | 5 | 10B | 99 BPM | ||
| Die Jahreszeiten, Hob. XXI:3, Der Sommer: VII. Lobgesang: Sie steigt herauf die Sonne (Terzett mit Chor) | Joseph Haydn, Gottfried van Swieten, Jordi Savall, Lina Johnson, Tilman Lichdi, Matthias Winckhler, Le Concert Des Nations | C Major | 3 | 8B | 105 BPM | ||
| String Quartet No. 12 in C Minor, D. 703 "Quartettsatz" | Franz Schubert, Alinde Quartett | C Major | 1 | 8B | 129 BPM | ||
| Gluck: Don Juan, Wq. 52: XXII. Grazioso | Christoph Willibald Gluck, John Eliot Gardiner, English Baroque Soloists | F Major | 2 | 7B | 81 BPM | ||
| Cello Concerto in C, H.VIIb, No.1: 1. Moderato | Joseph Haydn, Jian Wang, The Gulbenkian Orchestra, Muhai Tang | C Major | 1 | 8B | 131 BPM | ||
| Concerto for three violins BWV 1064R: Concerto for three violins BWV 1064R: III. Allegro | Johann Sebastian Bach, Petra Mullejans, Gottfried Von Der Goltz, Anne-Katharina Schreiber | D♭ Major | 3 | 3B | 97 BPM | ||
| Variations for Violin and Small Orchestra in C Major | Gioachino Rossini, Miklos Szenthelyi, Hungarian Virtuosi, Tamás Benedek | F♯ Major | 2 | 2B | 150 BPM | ||
| Viola Concerto in D Major, Op. 1: III. Rondeau | Carl Stamitz, Victoria Chiang, Baltimore Chamber Orchestra, Markand Thakar | D Major | 1 | 10B | 100 BPM | ||
| Sinfonia No. 6 in E-Flat Major, MWV N6: III. Prestissimo | Felix Mendelssohn, Northern Chamber Orchestra, Nicholas Ward | E♭ Major | 4 | 5B | 155 BPM | ||
| Violin Concerto in D Major, Op. posth., No. 2: Rondo | Joseph Boulogne Chevalier de Saint-Georges, Zhou Qian, Toronto Chamber Orchestra, Kevin Mallon | D Major | 2 | 10B | 134 BPM | ||
| La fiera di Venezia: Overture | Antonio Salieri, Moldavian National Symphony Orchestra, Silvano Frontalini | A Major | 1 | 11B | 102 BPM | ||
| Die Zauberflote (The Magic Flute), K. 620 (arr. J. Heidenreich) : Act II: Pa-Pa-Pa-Pa-Pa-Papagena! Bist du mir nun ganz gegeben? | Saxonian Woodwind Academy | E♭ Major | 1 | 5B | 115 BPM |