Naoki Sato's 'あの頃の景色' had a release date set for December 23, 2020. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. あの頃の景色's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "STAND BY ME ドラえもん 2 ORIGINAL SOUNDTRACK". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Japan. Based on our statistics, あの頃の景色's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With あの頃の景色 by Naoki Sato having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 怪獣惑星 | Takayuki Hattori | D Minor | 1 | 7A | 86 BPM | ||
| Final Mission - Quantum Burst | Kenji Kawai | C Major | 6 | 8B | 82 BPM | ||
| 危機 | Kenji Kawai | F♯ Minor | 6 | 11A | 155 BPM | ||
| Herson | Konfusia Clayman, Konfusi Clayton | D Major | 1 | 10B | 80 BPM | ||
| [THE SORCERY OF NYMPH CIRCE] SUITE-No.2: ILE | Sawano Hiroyuki | A Minor | 2 | 8A | 88 BPM | ||
| Monochrome | Naoki”naotyu-”Chiba | A Minor | 2 | 8A | 88 BPM | ||
| Suite from Godzilla: Tokyo SOS (2003) | Michiru Oshima, Akira Ifukube | G Minor | 5 | 6A | 101 BPM | ||
| Main Titles - from "Monarch: Legacy of Monsters" soundtrack | Leopold Ross | D Major | 8 | 10B | 140 BPM | ||
| Outta Office | Uebbeow | C Minor | 3 | 5A | 74 BPM | ||
| VIVANT | Akira Senju | B Minor | 7 | 10A | 160 BPM | ||
| Last Shot | Alexandre Desplat | D♭ Major | 6 | 3B | 107 BPM | ||
| グランメゾン東京 - Main Theme - | Hideakira Kimura | D Minor | 5 | 7A | 68 BPM | ||
| 八重の桜 - メインテーマ | Ryuichi Sakamoto | B Minor | 3 | 10A | 76 BPM | ||
| attack till we are Ashes | KOHTA YAMAMOTO, Sawano Hiroyuki | A Minor | 3 | 8A | 174 BPM | ||
| 旅の幕開け | Kenichiro Suehiro | A Minor | 7 | 8A | 130 BPM | ||
| 科捜研のテーマ 〜開幕〜 | Kenji Kawai | A Minor | 7 | 8A | 147 BPM | ||
| NHK大河ドラマ「青天を衝け」サウンドトラック ORIGINAL COVER | サウンドワークス | E Major | 6 | 12B | 100 BPM | ||
| MIU404 | Masahiro Tokuda | C Major | 7 | 8B | 105 BPM | ||
| ゴジラメインテーマ | Crimson Craftsman | C Major | 5 | 8B | 154 BPM | ||
| Return Of Godzilla / [King Kong Vs Godzilla] | Akira Ifukube | F Major | 4 | 7B | 74 BPM | ||
| Patriot Mission | Akira Senju | A Minor | 2 | 8A | 79 BPM | ||
| 十字傷 | Naoki Sato | E Minor | 2 | 9A | 70 BPM | ||
| 見えざる手 | HOYO-MiX | A Minor | 2 | 8A | 88 BPM | ||
| Sacrifice of Tradition | Ilan Eshkeri | C Minor | 6 | 5A | 160 BPM | ||
| 滅びし王の目覚め | Yoko Shimomura, Haru Hayashi | A Minor | 2 | 8A | 88 BPM |