"ベムラー" by 戸田信子, 陣内一真 had its release date on July 8, 2020. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. ベムラー's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 57 in the song's album "ULTRAMAN ORIGINAL SOUNDTRACK". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Japan. In terms of popularity, ベムラー is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With ベムラー by 戸田信子, 陣内一真 having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 進出ス ! | Megumi Ohashi | C Major | 6 | 8B | 75 BPM | ||
| 魂の躍動 | 甲田雅人 | B♭ Minor | 5 | 3A | 91 BPM | ||
| 嵐の先の死線/シャンティエン | Hideyuki Fukasawa | G Minor | 8 | 6A | 120 BPM | ||
| Congregation of the Fearless | Zhenlan Kang | B Minor | 8 | 10A | 144 BPM | ||
| 深淵から迫る絶望/ガイアデルム | 堀諭史 | F Major | 5 | 7B | 112 BPM | ||
| ACE | 戸田信子, 陣内一真 | A Minor | 7 | 8A | 142 BPM | ||
| Drakenhold -Heir to the Dragonlands- | 金田光弘, ベイシスケイプ | B♭ Major | 4 | 6B | 94 BPM | ||
| Cadenza ~終焉~ | 甲田雅人 | B♭ Minor | 6 | 3A | 100 BPM | ||
| Powerful Enemy Encounter | Keiji Inai | C Major | 7 | 8B | 151 BPM | ||
| Strangereal World War (Ace Combat Medley) | Lucas Ricciotti | D♭ Major | 4 | 3B | 120 BPM | ||
| そのままの君でいてね | 戸田信子, 陣内一真 | G Minor | 0 | 6A | 122 BPM | ||
| 砂原を駆ける者 | Miwako Chinone | G Major | 5 | 9B | 145 BPM | ||
| アオハル杯 プレシーズン | 久保早瑠菜 | A Major | 9 | 11B | 130 BPM | ||
| Wakusen | 帆足圭吾 | F Major | 9 | 7B | 176 BPM | ||
| Enemy Onslaught | Takashi Ohmama | B Major | 7 | 1B | 178 BPM | ||
| BUILD DiVERS | Hideakira Kimura | A Minor | 7 | 8A | 148 BPM | ||
| Drakenhold Battle | 金田光弘, ベイシスケイプ | B♭ Major | 4 | 6B | 94 BPM | ||
| Morning Star of the Dark Tide - Namielle | Akihiko Narita | B Minor | 8 | 10A | 144 BPM | ||
| Demonstration | 戸田信子, 陣内一真 | F Major | 7 | 7B | 120 BPM | ||
| The Allmother - Instrumental | 堀諭史 | G Major | 4 | 9B | 126 BPM | ||
| Final Operation | アトラスサウンドチーム | B Minor | 7 | 10A | 82 BPM | ||
| Rebellion Against Tomorrow -With All Our Powers- | Falcom Sound Team jdk | F♯ Minor | 8 | 11A | 120 BPM | ||
| 奇跡に立ち会えた瞬間 | 戸田信子, 陣内一真 | C Major | 9 | 8B | 94 BPM | ||
| Tousouheno houkou | Kenichiro Suehiro | G Minor | 6 | 6A | 95 BPM | ||
| The Invading Tyrant - Bazelgeuse | Akihiko Narita | G Major | 5 | 9B | 134 BPM |