George Frideric Handel, Vienna Boys' Choir, Chorus Viennensis, Michael G. Gormley, Wiener Symphoniker, Uwe Christian Harrer's 'Messiah / Part 2: 42. Chorus: "Hallelujah"' had a release date set for January 1, 1984. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in José Carreras, Vienna Boys' Choir, Chorus Viennensis, Michael G. Gormley, Wiener Symphoniker, Uwe Christian Harrer's "José Carreras - Ave Maria; Panis Angelicus; Agnus Die; Hallelujah; Jesus, Joy Of Man's Desiring" album is number 1 out of 10. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Messiah / Part 2: 42. Chorus: "Hallelujah" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah / Part 2: 42. Chorus: "Hallelujah" by George Frideric Handel, Vienna Boys' Choir, Chorus Viennensis, Michael G. Gormley, Wiener Symphoniker, Uwe Christian Harrer to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Herz und Mund und Tat und Leben, Cantata BWV 147: Jesu, Joy Of Man's Desiring, BWV 147 | Johann Sebastian Bach, Choir of King's College, Cambridge, Nicholas Daniel, James Vivian, Robert Quinney, Stephen Cleobury | G Major | 0 | 9B | 67 BPM | ||
| The Nutcracker, Op. 71, TH.14 / Act 2: No. 12e Character Dances: Dance of the Reed Pipes | Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Antal Doráti | E♭ Major | 2 | 5B | 105 BPM | ||
| Ave Maria | Giulio Caccini, Vladimir Vavilov, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | F Minor | 0 | 4A | 79 BPM | ||
| Transeamus usque Bethlehem | Traditional, Regensburger Domspatzen | B♭ Major | 3 | 6B | 71 BPM | ||
| Silent Night | Franz Xaver Gruber, Rolando Villazón, Vienna Boys' Choir, Schubert Akademie, Gerald Wirth | D Major | 2 | 10B | 83 BPM | ||
| Silent Night | Franz Xaver Gruber, The Three Tenors, Steven Mercurio, Gumpoldskirchner Spatzen, Wiener Symphoniker | A♭ Major | 2 | 4B | 87 BPM | ||
| Messiah, HWV 56: Part II, Sc. 6, Hallelujah! | George Frideric Handel, Choir of Clare College, Cambridge, Freiburger Barockorchester, René Jacobs | D♭ Major | 3 | 3B | 104 BPM | ||
| Bach, JS: Herz und Mund und Tat und Leben, BWV 147: Choral. "Jesus bleibet meine Freude, Meines Herzen Lust und Saft" | Johann Sebastian Bach, Choir of King's College, Cambridge, Sir David Willcocks, Academy of St. Martin in the Fields | G Major | 1 | 9B | 94 BPM | ||
| Stille Nacht | Franz Xaver Gruber, phil Blech Wien, Anton Mittermayr, Vienna Boys' Choir | D Major | 1 | 10B | 104 BPM | ||
| Ave Maria, CG 89a | Charles Gounod, David Parry, London Philharmonic Orchestra, London Philharmonic Choir | G Major | 2 | 9B | 89 BPM | ||
| Il Est Ne Le Divin Enfant | Traditional, Vienna Boys' Choir, Schubert Akademie, Gerald Wirth | G Major | 2 | 9B | 114 BPM | ||
| Cantata No. 147 | Johann Sebastian Bach, The Choir Of Westminster Abbey, Martin Neary | C Major | 1 | 8B | 60 BPM | ||
| Messiah: Part 1, But who may abide? (Air, Alto) | The Sixteen | D♭ Minor | 2 | 12A | 93 BPM | ||
| Ave Maria | Katherine Jenkins | G Major | 2 | 9B | 180 BPM | ||
| Silent Night | The St Philips Boy's Choir | B♭ Major | 1 | 6B | 86 BPM | ||
| Flight Of The Bumble-Bee from "The Tale of Tsar Saltan" | Nikolai Rimsky-Korsakov, Loris Tjeknavorian, Armenian Philharmonic Orchestra | D Minor | 1 | 7A | 95 BPM | ||
| Tollite hostias | Camille Saint-Saëns, Vienna Chamber Choir, Michael Grohotolsky | D Major | 2 | 10B | 178 BPM | ||
| Sing Together, Children | Jacobus Gallus, Vienna Boys' Choir, Hans Gillesberger | B♭ Major | 1 | 6B | 97 BPM | ||
| Messiah, HWV 56: Part 1: And the glory of the Lord (Chorus) | Nikolaus Harnoncourt | A♭ Major | 2 | 4B | 177 BPM | ||
| So nimm denn meine Hande | Friedrich Silcher, MDR Leipzig Radio Chorus, Jörg Peter Weigle | A♭ Major | 1 | 4B | 102 BPM | ||
| Ave Maria | Riga Chamber Choir "Ave Sol", Imants Kokars | E Major | 5 | 12B | 136 BPM | ||
| Messiah: Part 1, His yoke is easy and His burthen is light (Chorus) | The Sixteen | A Major | 2 | 11B | 99 BPM | ||
| Requiem in D Minor, Op.48: 3. Sanctus | Gabriel Fauré, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, John Birch, Sir Neville Marriner | E♭ Major | 0 | 5B | 62 BPM | ||
| Hänsel und Gretel, Hansel und Gretel, Act II: Abends, will ich schlafen gehn (Evening Prayers) | Engelbert Humperdinck, Wiener Sängerknaben, Helmuth Froschauer | C Major | 1 | 8B | 173 BPM | ||
| Gloria in excelsis Deo, BWV 191: Gloria in excelsis Deo (Chorus) | Johann Sebastian Bach, Nobuko Gamo-Yamamoto, Adalbert Kraus, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A Major | 2 | 11B | 122 BPM |