Rita Hayworth's ' "Put The Blame On Mame (Nightclub Version)" was released on its scheduled release date, May 1, 2011. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Put The Blame On Mame (Nightclub Version)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "The Complete Rita Hayworth Songbook". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Put The Blame On Mame (Nightclub Version) is below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Put The Blame On Mame (Nightclub Version) by Rita Hayworth having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| How Long Has This Been Going On? | Dorothy Dandridge | G Major | 1 | 9B | 128 BPM | ||
| Every Baby Needs a Da Da Daddy (From "Ladies of the Chorus") | Marilyn Monroe | F♯ Major | 4 | 2B | 108 BPM | ||
| A Ghost of a Chance | Lee Wiley | F Major | 0 | 7B | 76 BPM | ||
| Yes Sir, That's My Baby! - Remastered | Eddie Cantor | A♭ Major | 4 | 4B | 113 BPM | ||
| I'm in Love Again | April Stevens | F Minor | 1 | 4A | 97 BPM | ||
| A Room with a View | Noel Coward | G Major | 1 | 9B | 136 BPM | ||
| I’ve Been in Love Before (Musique issue de la bande originale du film "Seven Sinners") | Marlene Dietrich | D Major | 1 | 10B | 119 BPM | ||
| I Get Ideas (When We Are Dancing) | Tony Martin | G Major | 2 | 9B | 201 BPM | ||
| Blue Moon | Ella Fitzgerald | B♭ Major | 3 | 6B | 167 BPM | ||
| The Touch Of Your Lips | Dorothy Dandridge | G Major | 2 | 9B | 109 BPM | ||
| River Of No Return | Marilyn Monroe | B Major | 9 | 1B | 79 BPM | ||
| Too Lovely To Forget | Connie Conway | F Major | 1 | 7B | 81 BPM | ||
| I'd Rather Be Blue Over You | Fanny Brice | D Major | 1 | 10B | 71 BPM | ||
| A Garden In The Rain | Gene Austin | E♭ Major | 2 | 5B | 45 BPM | ||
| Golden Earrings | Peggy Lee | D Major | 2 | 10B | 80 BPM | ||
| Bill Bailey, Won't You Please Come Home? | Pearl Bailey | D♭ Major | 6 | 3B | 107 BPM | ||
| Autumn Leaves - 1996 Digital Remaster | Jo Stafford | B Minor | 1 | 10A | 169 BPM | ||
| Sugar | Lee Wiley | E♭ Major | 1 | 5B | 83 BPM | ||
| Comes Love | Irene Kral | C Major | 1 | 8B | 114 BPM | ||
| It's Bad For Me | Jeri Southern | E♭ Major | 3 | 5B | 123 BPM | ||
| Moscow Nights | Ketty Lester | G Minor | 2 | 6A | 107 BPM | ||
| Gentlemen Prefer Blondes: Ain't There Anyone Here For Love - From "Gentlemen Prefer Blondes" | Jane Russell, Marilyn Monroe | A♭ Major | 3 | 4B | 103 BPM | ||
| You're the Cream in My Coffee | Annette Hanshaw | G Minor | 1 | 6A | 143 BPM | ||
| A Pretty Girl Is Like a Melody | Rudy Vallee | C Major | 2 | 8B | 122 BPM | ||
| Do It Again | Marilyn Monroe | G Minor | 1 | 6A | 88 BPM |