"Luckington "Let All the World in Every Corner Sing"" by Basil Harwood, The Choir of Kings School, Canterbury, Matthew Martin, Howard Ionascu had its release date on January 11, 2003. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "The Complete New English Hymnal, Vol. 16". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Luckington "Let All the World in Every Corner Sing" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Luckington "Let All the World in Every Corner Sing" by Basil Harwood, The Choir of Kings School, Canterbury, Matthew Martin, Howard Ionascu having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Organ Concerto in G Major: III. Minuetto allegro | William Hayes, Instruments of Time & Truth, Matthew Martin | F♯ Major | 1 | 2B | 100 BPM | ||
| Isä taivaan, rukoilen (Siionin laulu 162) | Seuralaulu, Maarit Hosionaho | C Minor | 2 | 5A | 70 BPM | ||
| A New Commandment | Paul Ayres, The Chapel Choir of Selwyn College, Cambridge, Sarah MacDonald | E♭ Major | 0 | 5B | 80 BPM | ||
| There Is a Hope | The New Irish Choir & Orchestra | C Major | 3 | 8B | 77 BPM | ||
| He Leadeth Me | Bradbury, Gilmore, Ely Cathedral Choir, Paul Trepte | D Major | 1 | 10B | 181 BPM | ||
| I Will Magnify Thee, O Lord (Psalm 30) | James Turle, Gloriae Dei Cantores, Elizabeth C. Patterson | D Major | 1 | 10B | 67 BPM | ||
| Wesley: And Can It Be That I Should Gain (Sagina) - 5. No Condemnation Now I Dread | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | G Major | 2 | 9B | 53 BPM | ||
| St. Paul's Psalter: Haste Thee, O God, to Deliver Me (Psalm 70) | William Hine, Gloriae Dei Cantores, Elizabeth C. Patterson | G Major | 1 | 9B | 126 BPM | ||
| Passion Chorale "O Sacred Head, Now Wounded" (After H.L. Hassler) | Anonymous, The Choir of Llandaff Cathedral, Michael Hoeg, Richard Moorhouse | C Major | 1 | 8B | 71 BPM | ||
| Psalm 48: Great Is The Lord (Turle) | St. Thomas Choir Of Men And Boys, Gerre Hancock | A♭ Major | 1 | 4B | 67 BPM | ||
| St. Magnus "The Head That Once Was Crowned with Thorns" | Jeremiah Clarke, The Choir of Kings School, Canterbury, Matthew Martin, Howard Ionascu | G Major | 1 | 9B | 89 BPM | ||
| Prélude et fugue sur le nom d'Alain, Op. 7: II. Fugue | Maurice Duruflé, Matthew Martin | D Minor | 1 | 7A | 64 BPM | ||
| Immortal Invisible God Only Wise | The Scottish Festival Singers | A♭ Major | 3 | 4B | 82 BPM | ||
| Wolvercote "O Jesus, I Have Promised" | William Harold Ferguson, The Choir of Christ's College, Cambridge, Alexandra Jobling, David Rowland | B♭ Major | 2 | 6B | 88 BPM | ||
| Blessed Is He Whose Unrighteousness Is Forgiven (Psalm 32) | John Jones, Gloriae Dei Cantores, Elizabeth C. Patterson | A♭ Major | 1 | 4B | 106 BPM | ||
| Amazing Grace | John Newton, Salisbury Cathedral Choir, Simon Lole | G Major | 1 | 9B | 73 BPM | ||
| Love divine, all loves excelling (Blaenwern) | William P. Rowlands, Massed Choirs From Merseyside, Liverpool Cathedral Brass Ensemble, Liverpool Cathedral Choir, Ian Wells, Ian Tracey | G Major | 2 | 9B | 70 BPM | ||
| Hyfrydol "Alleluia! Sing to Jesus" | Rowland H. Prichard, The Chapel Choir of Selwyn College, Cambridge, Timothy Morgan, Daveth Clark, Sarah MacDonald | E Major | 0 | 12B | 117 BPM | ||
| O God, What Offering Shall I Give? | Metropolitan Tabernacle | E♭ Major | 3 | 5B | 89 BPM | ||
| Psalm 47: Oh, Clap Your Hands | David R. Erb | D Major | 2 | 10B | 67 BPM | ||
| Stand up, Stand up for Jesus | George Duffield, George Webb, Salisbury Cathedral Choir, Simon Lole | A Major | 3 | 11B | 114 BPM | ||
| O God, Our Help in Ages Past | Cantillation, David Drury, David Russell | C Major | 1 | 8B | 109 BPM | ||
| The Lord's My Shepherd | The Jubilate Singers | G Major | 2 | 9B | 77 BPM | ||
| This Day Was Made by The Lord | Christopher Walker | D Major | 3 | 10B | 56 BPM | ||
| Oi Isä meidän, huolen meistä kannat (Virsi 366) | Seuralaulu, Juha Paukkeri | B Minor | 2 | 10A | 92 BPM |