- BPM
- 109
- Key
- E♭ Major
- Camelot
- 5B
Lascia Ch Io Pianga by Haendel, Mathieu Salama Song Details
"Lascia Ch Io Pianga" by Haendel, Mathieu Salama had its release date on November 6, 2014. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 15 in Airs de Castrat by Mathieu Salama. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Lascia Ch Io Pianga is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Lascia Ch Io Pianga by Haendel, Mathieu Salama is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -12.951 dB
- Acousticness
- 83%
- Danceability
- 37%
- Energy
- 2%
- Instrumentalness
- 0%
- Liveness
- 34%
- Loudness
- 78%
- Speechiness
- 4%
- Valence
- 12%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Rameau: Castor et Pollux: "Tristes apprêts" (Télaïre) | Jean-Philippe Rameau, Les Ambassadeurs, Alexis Kossenko | D Major | 0 | 10B | 93 BPM | |
 | Bassoon Concerto in C Minor: II. Vivace | Christoph Graupner, Paolo Tognon, Capella Savaria, Pal Nemeth | B Minor | 1 | 10A | 116 BPM | |
 | Overture No. 6 in B-Flat Major: III. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 1 | 2B | 117 BPM | |
 | Laudate pueri in G Major, RV 601 "Salmo 112": I. Laudate, pueri (Allegro non molto) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | D♭ Major | 2 | 3B | 92 BPM | |
 | Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | |
 | Sinfonia in C Major: III. Allegro | Antonio Caldara, Collegium 1704, Vaclav Luks | D Major | 1 | 10B | 93 BPM | |
 | Scherzi musicali: Damigella tutta bella, SV 235 | Claudio Monteverdi, Magdalena Kožená, David Feldman, Luca Tittoto, La Cetra Barockorchester Basel, Andrea Marcon | B♭ Major | 3 | 6B | 136 BPM | |
 | Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | |
 | Miserere in C minor: Misere II | Thomas Hengelbrock | B Major | 1 | 1B | 104 BPM | |
 | Sonata da camera, Op. 2 No. 11: I. Preludio | Antonio Caldara, Amandine Beyer, Leila Schayegh, Matthias Spaeter, Jonathan Pesek, Jörg-Andreas Bötticher | E♭ Minor | 1 | 2A | 117 BPM | |
 | Ouverture a 7 concertanti in F Major - 2 Violini, 2 Oboe, Viola, Fagotto, Basso Continuo: Aria: Aria | Jan Dismas Zelenka, Il Fondamento, Paul Dombrecht | A♭ Minor | 1 | 1A | 78 BPM | |
 | Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance | William Christie | B♭ Minor | 2 | 3A | 114 BPM | |
 | Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | |
 | Schlage doch, gewünschte Stunde (Formerly Attrib. Bach as BWV 53) | Melchior Hoffmann, Andreas Scholl, Kammerorchester Basel, Julia Schröder | E Major | 1 | 12B | 77 BPM | |
 | Nais, RCT 49, Prologue, Scène V: Premier rigaudon - Deuxième rigaudon | Jean-Philippe Rameau, Teodor Currentzis | A♭ Major | 3 | 4B | 64 BPM | |
 | Monteverdi: Sì dolce è'l tormento, SV 332 | Claudio Monteverdi, Christina Pluhar, Philippe Jaroussky | G Major | 0 | 9B | 134 BPM | |
 | Ave Verum Corpus, K. 618 | Wolfgang Amadeus Mozart, Christian-Pierre La Marca, Patricia Petibon, Thierry Escaich | F Major | 1 | 7B | 83 BPM | |
 | Quintet (Sinfonia spirituosa) In D Major TWV 44:1, For 2 Violins, Viola And Basso Continuo: 2. Largo | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 1 | 12B | 99 BPM |
- ISRC
- FRP621425240
- Label
- L-M Records/RCA Records