"Talking Sh*t" by George Lopez had its release date on August 12, 2012. This song is quite longer than the average track at 6 minutes and 4 seconds. With that being said, this track is also considered explicit and may be offensive to some people. The track order of this song in George Lopez's "It's Not Me, It's You" album is number 2 out of 13. On top of that, United States appears to be the country where this track was created. Talking Sh*t is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Talking Sh*t by George Lopez to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Call Her | Arnez J | A♭ Major | 9 | 4B | 101 BPM | ||
| Burp | David Tyree | B♭ Minor | 8 | 3A | 97 BPM | ||
| Airplane > Cruise Ship | Roy Wood Jr | A♭ Major | 8 | 4B | 103 BPM | ||
| Love | Whitney Cummings | E♭ Minor | 9 | 2A | 92 BPM | ||
| Kinky | Mike Armstrong | D♭ Major | 10 | 3B | 88 BPM | ||
| Parenting Is Hard | Jay Phillips | B Major | 10 | 1B | 129 BPM | ||
| The Realism of Expression | Ben Bailey | D Major | 10 | 10B | 80 BPM | ||
| Sweatpants | Tom Papa | D♭ Minor | 8 | 12A | 89 BPM | ||
| She Believes In Me | Adam Ferrara | B Major | 9 | 1B | 85 BPM | ||
| Break Time, Part 1 (Live) | Michael Jr. | D Major | 6 | 10B | 104 BPM | ||
| Cocaine Will Ruin Your Life | Felipe Esparza | A♭ Minor | 2 | 1A | 63 BPM | ||
| Will & Jada Entanglement | Bill Bellamy | A♭ Major | 10 | 4B | 85 BPM | ||
| Anything Can Be Funny | Dana Gould | F♯ Major | 10 | 2B | 81 BPM | ||
| AJ's Intro, Roadie the Shark Dog | Jeff Dunham | E♭ Major | 8 | 5B | 80 BPM | ||
| Rollercoaster Hell | Robert Schimmel | B♭ Minor | 5 | 3A | 79 BPM | ||
| Deuce And A Quarter | Sinbad | G Major | 9 | 9B | 123 BPM | ||
| Immigrants | Nick Di Paolo | A♭ Minor | 9 | 1A | 126 BPM | ||
| Cuban Coffee | Gabriel Iglesias | A Major | 9 | 11B | 86 BPM | ||
| Single Mother | Sinbad | B♭ Major | 9 | 6B | 65 BPM | ||
| Man to Man | Steve Rannazzisi | F♯ Major | 9 | 2B | 128 BPM | ||
| The Tea Party | Alonzo Bodden | D♭ Major | 9 | 3B | 77 BPM | ||
| E-Mail Bag | Steve Harvey | D Minor | 6 | 7A | 113 BPM | ||
| Re-Cap | Deon Cole | F♯ Minor | 10 | 11A | 120 BPM | ||
| House Full of Women and Airport Security | Jeff Dunham | C Major | 9 | 8B | 120 BPM | ||
| My Son Optimus Prime | Dane Cook | A Major | 9 | 11B | 167 BPM |