"Até O Fim" by António Zambujo had its release date on November 23, 2018. The duration of This song is about 3 minutes long, at 3:16. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 13 in Do Avesso by António Zambujo. Going off of the ISRC code of this track, we detected that the origin of this track is from Portugal. Até O Fim is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Até O Fim by António Zambujo is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Canto dos torna-viagem | José Mário Branco | C Major | 4 | 8B | 83 BPM | ||
| Inquietação | JP Simões | A Minor | 5 | 8A | 78 BPM | ||
| Balelas | Cuca Roseta | B Minor | 6 | 10A | 135 BPM | ||
| Do que um homem é capaz | José Mário Branco | D Minor | 3 | 7A | 108 BPM | ||
| P'ra Frente É Que É Lisboa | Os Quatro e Meia | A Major | 7 | 11B | 76 BPM | ||
| Para Que Quero Eu Olhos | Buba Espinho | E Major | 1 | 12B | 119 BPM | ||
| Volta para trás | Diana Castro | D♭ Major | 5 | 3B | 126 BPM | ||
| Multidão | Mimi Froes | F Major | 5 | 7B | 111 BPM | ||
| Lisboa É Assim | Rodrigo Costa Felix | F Major | 3 | 7B | 133 BPM | ||
| Menina estás à janela | Vitorino | D Major | 2 | 10B | 138 BPM | ||
| Com Que Voz | Camane, Mário Laginha | A Minor | 1 | 8A | 101 BPM | ||
| Flinstones | António Zambujo | G Major | 4 | 9B | 127 BPM | ||
| Disparar | Benjamim, Barney Keen | G Major | 5 | 9B | 80 BPM | ||
| Porque Me Olhas Assim | Fausto | B Minor | 3 | 10A | 137 BPM | ||
| Da Mesma Pele | IRMA | D♭ Minor | 5 | 12A | 95 BPM | ||
| Se Eu Disser | André Sardet, Luís Represas | G Major | 3 | 9B | 140 BPM | ||
| Conversa | Ivandro, António Zambujo | A♭ Minor | 5 | 1A | 114 BPM | ||
| A Veia Do Poeta - ao vivo no Estúdio Vale de Lobos | Mimi Froes, Rui Veloso | G Minor | 7 | 6A | 154 BPM | ||
| Loucos de Lisboa | Ala Dos Namorados | E Major | 1 | 12B | 118 BPM | ||
| Cheira a Lisboa | Janeiro | D Major | 4 | 10B | 114 BPM | ||
| Foi Deus | Hoje | F Major | 3 | 7B | 160 BPM | ||
| Depois de Ti (with João Paulo Esteves da Silva & Jarrod Cagwin) | Ricardo Ribeiro, Jarrod Cagwin, João Paulo Esteves da Silva | F♯ Minor | 6 | 11A | 104 BPM | ||
| Petiza | Mimi Froes | F Major | 5 | 7B | 111 BPM | ||
| Hoje é o dia | Buba Espinho | A Major | 4 | 11B | 123 BPM | ||
| Até ao Fim | Katia Guerreiro | B♭ Major | 1 | 6B | 76 BPM |