Lee Ritenour, Lisa Fischer's ' "Baltimore" was released on its scheduled release date, January 1, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "This Is Love". In this album, this song's track order is #7. Baltimore is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Baltimore by Lee Ritenour, Lisa Fischer having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| D.C. | Jazz Funk Soul | D♭ Major | 5 | 3B | 92 BPM | ||
| 24/7 | Paul Brown | F Minor | 6 | 4A | 104 BPM | ||
| Love Will Follow | George Howard | G Major | 7 | 9B | 99 BPM | ||
| H Gang | Donald Fagen | C Major | 6 | 8B | 121 BPM | ||
| Smiles And Smiles To Go | Larry Carlton | G Major | 4 | 9B | 116 BPM | ||
| You Are Everything | Ken Navarro | D♭ Minor | 8 | 12A | 103 BPM | ||
| Mornin' | Al Jarreau | D Major | 5 | 10B | 90 BPM | ||
| City | Jeff Lorber Fusion | D♭ Major | 8 | 3B | 115 BPM | ||
| One More Time | Fattburger | C Minor | 5 | 5A | 79 BPM | ||
| Connections | Jazz Funk Soul | A Minor | 6 | 8A | 152 BPM | ||
| Every Now and Then | Jeff Kashiwa | C Major | 7 | 8B | 94 BPM | ||
| Lady's Choice | Ken Navarro | A Major | 6 | 11B | 88 BPM | ||
| Hypnotique | Bill Sharpe | C Major | 6 | 8B | 122 BPM | ||
| Inside Myself | Art Porter | A♭ Major | 6 | 4B | 170 BPM | ||
| Never Can Say Goodbye | Zachary Breaux | D♭ Major | 7 | 3B | 95 BPM | ||
| Ooh-Yeah | Lee Ritenour | B Minor | 5 | 10A | 88 BPM | ||
| Catching the Sun | Spyro Gyra | F Major | 5 | 7B | 96 BPM | ||
| From the Start | Steve Cole | A♭ Major | 6 | 4B | 107 BPM | ||
| The Velvet Swing | Acoustic Alchemy | B Minor | 6 | 10A | 79 BPM | ||
| New Passage (feat. Special Efx) | George Jinda, Special EFX | D♭ Major | 6 | 3B | 110 BPM | ||
| That's The Way Of The World | Nelson Rangell | D♭ Major | 6 | 3B | 82 BPM | ||
| Forget Me Nots | Lee Ritenour | F♯ Minor | 7 | 11A | 110 BPM | ||
| Midnight At The Oasis | Steve Oliver | A♭ Major | 8 | 4B | 101 BPM | ||
| 100 Ways | Fattburger | A♭ Major | 4 | 4B | 90 BPM | ||
| Antarctic | Ellis Knight | C Minor | 3 | 5A | 102 BPM |